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Sep 8, 2021 · While other people spent lockdown tending to their sourdough starters, Phyllida Lloyd spent hers thinking of new ways to use her chainsaw.
Jan 15, 2021 · Phyllida Lloyd on her journey from all-female Shakespeare to Irish indie Herself. Phyllida Lloyd discusses her Irish domestic abuse drama, Herself, and collaborating with Claire Dunne and Harriet Walter on stage and screen. Herself is now available on Amazon Prime in Canada and the US.
Sep 12, 2021 · Phyllida Lloyd: ‘There are not nearly enough roles for older women’. The director is known for her big hits like ‘Mamma Mia!’ but she came aboard a low-budget indie because of its poignant star...
- Charlotte Cripps
Jul 25, 2013 · Lloyd’s concept sets the action within a women’s prison, the ‘inmates’ performing the tale of Julius Caesar ala Marat/Sade. The show begins with the framing device of the prison guards unlocking the doors, leading the inmates onto the stage, lining them up, and locking them in.
It’s very unpretentious but Phyllida understands structure – Shakespearean structure – and that is what it has: the island, the mis-identity, the romance and the action.
Nov 22, 2019 · Lloyd, 62, is best known as the director of both the stage and film versions of the mammoth musical hit Mamma Mia!, though she has had a long and distinguished career as a director of opera ...
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Dec 30, 2011 · Phyllida Lloyd: First of all it’s not a biopic. It’s all told from her point of view. We’re experiencing how did it feel to be there not objectively, but how did it feel to be the first female leader of the western world coming from a very lower class background coming into this world of privileged, entitled men.
