Yahoo Web Search

Search results

  1. Jun 2, 2022 · The greatest tension in the film centers around Rocco (Alain Delon) and Simone (Renato Salvatori), both boxers and both in love with Nadia (Annie Girardot), who clash in jealousy. Ever since I saw Rocco and His Brothers for the first time exactly a decade ago, I’ve been talking about it as one of the best movies I’ve ever seen. Yet, when I ...

    • Laura Valenza
  2. Jul 11, 2010 · Rocco is still shocking, if perhaps less for the reasons that appalled conservative politicians at the time (Nadia’s knickers flying onto Rocco’s head in the rape scene, and a strongly suggested gay sub-plot involving Simone and a richer man), and rather more for its particular deconstructions of masculinity played-out within the context of larger historical forces.

  3. Jul 10, 2018 · Luchino Visconti’s Rocco and His Brothers is an epic of postwar Italy and a melodrama of seismic proportions boasting great photography and performances. Perhaps no parallel example exists of a ...

  4. May 22, 2006 · Meanwhile Rocco works in a clothes cleaners shop and is called Sleeping Beauty for his inattentiveness. Simone borrows money from Rocco to give Nadia or provide her treats; and Nadia returns to Rocco a brooch Simone steals from Rocco’s boss. Rocco is asked by a boxing trainer to chaperone Simone, to provide the discipline Simone lacks.

  5. Jul 5, 2002 · Rocco, like Mr. Delon on the verge of international stardom at the picture's end, has vaulted beyond his family and class, just as Simone has fallen beneath them.

  6. Rocco and His Brothers can be seen quite clearly as an enormous influence on great American gangster films, as themes of Frances Ford Coppola's The Godfather immediately come into mind, and the tense relationship between the good brother Rocco and the corrupt brother Simone largely influenced Scorsese in his development of such character's in Mean Streets, and obviously Raging Bull. The tragic ...

  7. People also ask

  8. Rocco also becomes Simone’s rival with Nadia, who responds more readily to his innate decency than to Simone’s reckless, sometimes brutal personality. The climax erupts with two kinds of violence: Rocco pounds his way to a title in the prizefighting ring, and Simone murders Nadia when she concludes that laboring as a prostitute is preferable to remaining with him.