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  1. Feb 22, 2017 · Julian Schnabel, now 65, has a lot going on. We caught up with him on a recent afternoon at home — and at Pace, for his first show there in 15 years.

    • M.H. Miller
  2. Julian Schnabel has occupied many roles through the years: the default figurehead of the star-studded 1980s art world; the fall guy for that era’s particular brand of monied hedonism; an Academy Award-nominated filmmaker; for some, the greatest painter of his time — and others, the most overrated.

  3. May 8, 2018 · Schnabel has painted on everything from velvet and burlap to linoleum and, most famously, on broken plates. His usage of unlikely materials with histories, combined with his unconventional methods of application (hoses, spray cans, fingers, paint-soaked cloth), unite the past four decades of his output.

    • Why is Schnabel a controversial artist?1
    • Why is Schnabel a controversial artist?2
    • Why is Schnabel a controversial artist?3
    • Why is Schnabel a controversial artist?4
    • Why is Schnabel a controversial artist?5
  4. Oct 30, 2015 · Arguably the “baddest” of Neo-Expressionism ’s “bad boys”—that group of young male artists who rescued painting from Minimalism ’s chokehold in the ’80s and invested it again with form and figuration— Julian Schnabel has never stopped confounding collectors and polarizing the press.

  5. An exhibition showing a new series of the celebrated “Plate Paintings” opened a few weeks ago at the gallery run by his son Vito. He is Julian Schnabel, the polymorphic artist allergic to generalizing definitions. Just like this interviewer, who touches on the salient points of a perennially transforming creativity.

  6. Apr 24, 2014 · In the 80s Schnabel’s use of unorthodox materials such as broken crockery and fibreglass created a controversy which led to a well earned place as seminal to the period.

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  8. Julian Schnabel(born October 26, 1951) is an American painter and filmmaker. In the 1980s, he received international attention for his "plate paintings"—with broken ceramic plates set onto large-scale paintings. Since the 1990s, he has been a proponent of independent arthouse cinema.

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