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Over the years, the Rock 'n' Roll medley always included Jailhouse Rock, and would often include (or at least have references to) many other covers, including Tutti Frutti, Bama Lama Bama Loo, Shake Rattle and Roll, Stupid Cupid, Be-Bop-A-Lula, and Whole Lotta Shakin' Goin On.
- London, UK
- Imperial College
- August 23, 1970
It's been bootlegged many times but never in complete form. Six tracks are widely available (Procession, Father To Son, Son And Daughter, See What A Fool I've Been, Ogre Battle and Liar), the rock'n'roll medley (Jailhouse Rock, Stupid Cupid, Be Bop A Lula) leaked in spring 2002 and the rest (Big Spender, Bama Lama Bama Lou) is in the BBC ...
Jul 6, 2021 · Mike Grose played bass at the first three concerts, while Barry Mitchell played bass at the remaining concerts. At some shows, the band were probably billed as Smile even though they were named as Queen by this period.
Freddie initiates the bit of Stupid Cupid during Jailhouse Rock, but without the segue into Be Bop A Lula as he usually would. He also references the classic "Shake, Rattle and Roll." He once again does his tribute to Little Richard, adding a few lyrics of Tutti Frutti to Bama Lama Bama Loo.
- Bristol, UK
- Colston Hall
- November 29, 1973
This page is a discography for American musician Little Richard (1932–2020). Described as "the architect of rock and roll", Little Richard was a pioneering singer-songwriter whose career also encompassed rhythm and blues, soul, and gospel.
DateSideTitleLabel Cat. No.Nov. 1951A"Taxi Blues"RCA Victor 20/47-4392Nov. 1951B"Every Hour"RCA Victor 20/47-4392Feb. 1952A"Get Rich Quick"RCA Victor 20/47-4582Feb. 1952B"Thinkin' 'Bout My Mother"RCA Victor 20/47-4582Medley: Jailhouse Rock Stupid Cupid Be Bop A Lula Jailhouse Rock (reprise) (Live at Golders Green Hippodrome, London Sept. 13th. 1973) SIDE F LP 3 Big Spender Bama Lama Bama Loo (Live at Golders Green Hippodrome, London Sept. 13th. 1973) Intro: Procession (tape) Father To Son Ogre Battle
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May 11, 2020 · “Rock & roll is here to stay” was a pervasive message by 1956, but “All Around the World” ups the stakes by insisting that the new sound is a global phenomenon as well – a point Richard would...