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Franz Kafka [b] (3 July 1883 – 3 June 1924) was an Austrian-Czech [4] novelist and writer from Prague. He is widely regarded as a major figure of 20th-century literature; he wrote in German. His work fuses elements of realism and the fantastic. [5]
- Overview
- Life
- Kafka and his father
- Kafka’s double life
His father, a materialistic man of business and a tyrant in his household, had a significant influence on Franz Kafka’s life and work. Kafka felt oppressed by him for most of his life. He appears in many of Kafka’s works, often as an overwhelming despotic power, as in The Trial.
What was Franz Kafka’s life like?
Franz Kafka moved in German Jewish intellectual circles throughout his life. He received a doctorate in law in 1906 from the University of Prague. Afterward he worked for insurance companies, which was time-consuming and left him only late night hours for writing. He was often ill, and sickness ultimately forced him to retire in 1922.
What did Franz Kafka write?
Franz Kafka’s work is characterized by anxiety and alienation, and his characters often face absurd situations. He is famous for his novels The Trial, in which a man is charged with a crime that is never named, and The Metamorphosis, in which the protagonist wakes to find himself transformed into an insect.
Franz Kafka (born July 3, 1883, Prague, Bohemia, Austria-Hungary [now in Czech Republic]—died June 3, 1924, Kierling, near Vienna, Austria) German-language writer of visionary fiction whose works—especially the novel Der Prozess (1925; The Trial) and the story Die Verwandlung (1915; The Metamorphosis)—express the anxieties and alienation felt by many in 20th-century Europe and North America.
Franz Kafka, the son of Julie Löwy and Hermann Kafka, a merchant, was born into a prosperous middle-class Jewish family. After two brothers died in infancy, he became the eldest child and remained, for the rest of his life, conscious of his role as elder brother; Ottla, the youngest of his three sisters, became the family member closest to him. Kaf...
The figure of Kafka’s father overshadowed his work as well as his existence. The figure is, in fact, one of his most impressive creations. In his imagination this coarse, practical, and domineering shopkeeper and patriarch who worshipped nothing but material success and social advancement belonged to a race of giants and was an awesome, admirable, but repulsive tyrant. In Kafka’s most important attempt at autobiography, Brief an den Vater (written 1919; Letter to Father), a letter that never reached the addressee, Kafka attributed his failure to live, to cut loose from parental ties and establish himself in marriage and fatherhood, as well as his escape into literature, to the prohibitive father figure, which instilled in him the sense of his own impotence. He felt his will had been broken by his father. The conflict with the father is reflected directly in Kafka’s story Das Urteil (1913; The Judgment). It is projected on a grander scale in Kafka’s novels, which portray in lucid, deceptively simple prose a man’s desperate struggle with an overwhelming power, one that may persecute its victim (as in The Trial) or one that may be sought after and begged in vain for approval (as in Das Schloss [1926; The Castle]). Yet the roots of Kafka’s anxiety and despair go deeper than his relationship with his father and family, with whom he chose to live in close and cramped proximity for the major part of his adult life. The source of Kafka’s despair lies in a sense of ultimate isolation from true communion with all human beings—the friends he cherished, the women he loved, the job he detested, the society he lived in—and with God, or, as he put it, with true indestructible Being.
The son of an assimilated Jew who held only perfunctorily to the religious practices and social formalities of the Jewish community, Kafka was German in both language and culture. He was a timid, guilt-ridden, and obedient child who did well in elementary school and in the Altstädter Staatsgymnasium, an exacting high school for the academic elite. He was respected and liked by his teachers. Inwardly, however, he rebelled against the authoritarian institution and the dehumanized humanistic curriculum, with its emphasis on rote learning and classical languages. Kafka’s opposition to established society became apparent when, as an adolescent, he declared himself a socialist as well as an atheist. Throughout his adult life he expressed qualified sympathies for the socialists, he attended meetings of Czech anarchists (before World War I), and in his later years he showed marked interest and sympathy for a socialized Zionism. Even then he was essentially passive and politically unengaged. As a Jew, Kafka was isolated from the German community in Prague, but, as a modern intellectual, he was also alienated from his own Jewish heritage. He was sympathetic to Czech political and cultural aspirations, but his identification with German culture kept even these sympathies subdued. Thus, social isolation and rootlessness contributed to Kafka’s lifelong personal unhappiness.
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Kafka did, however, become friendly with some German Jewish intellectuals and literati in Prague, and in 1902 he met Max Brod. This minor literary artist became the most intimate and solicitous of Kafka’s friends, and eventually, as Kafka’s literary executor, he emerged as the promoter, saviour, and interpreter of Kafka’s writings and as his most influential biographer. The two men became acquainted while Kafka was studying law at the University of Prague. He received his doctorate in 1906, and in 1907 he took up regular employment with an insurance company. The long hours and exacting requirements of the Assicurazioni Generali, however, did not permit Kafka to devote himself to writing. In 1908 he found in Prague a job in the seminationalized Workers’ Accident Insurance Institute for the Kingdom of Bohemia. There he remained until 1917, when tuberculosis forced him to take intermittent sick leaves and, finally, to retire (with a pension) in 1922, about two years before he died. In his job he was considered tireless and ambitious; he soon became the right hand of his boss, and he was esteemed and liked by all who worked with him.
In fact, generally speaking, Kafka was a charming, intelligent, and humorous individual, but he found his routine office job and the exhausting double life into which it forced him (for his nights were frequently consumed in writing) to be excruciating torture, and his deeper personal relationships were neurotically disturbed. The conflicting inclinations of his complex and ambivalent personality found expression in his sexual relationships. Inhibition painfully disturbed his relations with Felice Bauer, to whom he was twice engaged before their final rupture in 1917. Later his love for Milena Jesenská Pollak was also thwarted. His health was poor and office work exhausted him. In 1917 he was diagnosed as having tuberculosis, and from then onward he spent frequent periods in sanatoriums.
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Apr 2, 2014 · Who Was Franz Kafka? Author Franz Kafka grew up in an upper middle-class Jewish family. After studying law at the University of Prague, he worked in insurance and wrote in the evenings.
Apr 2, 2020 · Franz Kafka (July 3, 1883 – June 3, 1924) was a Czech novelist and short-story writer, widely considered one of the most important literary figures of the 20th century. Kafka was a natural writer, though he worked as a lawyer, and his literary merit went largely unrecognized during his short lifetime.
May 29, 2024 · Franz Kafka is one of the best-known German-language authors in the world, even though he has been dead for 100 years. So why is he still so popular today?
Short biography of Franz Kafka, German-language writer, who was born into a middle-class, Jewish family on July 3, 1883 in Prague, Bohemia, now the Czech Republic.
Born in Prague in 1883, Franz Kafka is today considered the most important prose writer of the so-called Prague Circle, a loosely knit group of German-Jewish writers who contributed to the culturally fertile soil of Prague during the 1880s until after World War I.
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