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Intoned liturgical recitation of scriptural texts
- Cantillation, in music, intoned liturgical recitation of scriptural texts, guided by signs originally devised as textual accents, punctuations, and indications of emphasis.
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What is cantillation in the Bible?
Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points.
cantillation, in music, intoned liturgical recitation of scriptural texts, guided by signs originally devised as textual accents, punctuations, and indications of emphasis.
- The Editors of Encyclopaedia Britannica
Cantillation (from the Latin cantare, meaning “to sing”) is the practice of chanting from the biblical books in the Jewish canon. It is often referred to by the Yiddish word leyn.
What are cantillation signs ? Both the Torah and the Haftarah are sung using melodies following cantillation signs. These are markings similar to musical notes that indicate what melody is to be sung. Although the cantillation signs themselves are the same for reading Torah and Haftarah, the melodies for these signs are different.
Cantillation is the ritual chanting of prayers and responses. [1] [2] It often specifically refers to Jewish Hebrew cantillation. Cantillation sometimes refers to diacritics used in texts that are to be chanted in liturgy. Cantillation includes: Chant. Byzantine chant; Gallican chant; Gregorian chant; Old Roman chant; Syriac chant; Vedic chant ...
This mode of recitation, depending not upon the rhythm and sequence of the sounds chanted, but upon the rhythm and sequence of the syllables to which they are chanted, is known as cantillation.
CANTILLATION, a term derived from the Latin canticum and cantilena, which besides "song" also meant the singsong delivery of an orator or an insistent talker. It was introduced into musical terminology by the influential work of J.N. Forkel, author of Allgemeine Geschichte der Musik (Leipzig, 1788–1801, p. 156), to indicate the musical ...
