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Early life. Baudelaire was born in Paris, France, on 9 April 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Joseph-François Baudelaire (1759–1827), a senior civil servant and amateur artist, who at 60, was 34 years older than Baudelaire's 26-year-old mother, Caroline (née Dufaÿs) (1794–1871); she was his second wife.
May 14, 2024 · Charles Baudelaire (born April 9, 1821, Paris, France—died August 31, 1867, Paris) was a French poet, translator, and literary and art critic whose reputation rests primarily on Les Fleurs du mal (1857; The Flowers of Evil ), which was perhaps the most important and influential poetry collection published in Europe in the 19th century.
Charles Baudelaire is one of the most compelling poets of the 19th century. While Baudelaire’s contemporary Victor Hugo is generally—and sometimes regretfully—acknowledged as the greatest of 19th-century French poets, Baudelaire excels in his unprecedented expression of a complex sensibility and of modern themes within structures of classical rigor and technical artistry.
Like Delacroix, Baudelaire was committed to testing the limits of his art in the way he sought to capture the vicissitudes of human emotions. Where Baudelaire used poetry to achieve this affect, Delacroix used color, but both men were leading a charge towards a new - modern - era in art history.
- French
- April 9, 1820
- Paris, France
- August 31, 1867
Apr 2, 2014 · In 1857, Baudelaire published his first and most famous volume of poems, Les Fleurs du mal ("The Flowers of Evil"). The poems found a small but enthusiastic audience. The poems found a small but ...
Apr 5, 2022 · Baudelaire’s poetry, criticism, essays and literature merged his mutual interests in Romanticism and Realism, which he weaved into a series of taboo subjects including sex, homosexuality, death and addiction. Let’s take a closer look at his most famous literary triumphs. 1. La Fanfarlo, 1847. La Fanfarlo, published in 1847, was a breakout ...
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Nov 13, 2017 · Baudelaire wrote three major essays on Poe, the first published in 1852 and used in a revised version as an introduction to his first translations of Poe. In this highly influential account of Poe’s life and works, Baudelaire expresses his own and Poe’s antipathy to utilitarian literature, though his own view is not as strident as Poe’s; he part vii: the later nineteenth century accepts ...
