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  1. Cut Piece is an event score composed by Yoko Ono first performed in 1964 and is one of her best known works and is considered an early example of performance art. She has performed the piece a total of six times. Part of the intention behind her event scores is that the work may be performed by anyone and Cut Piece has been performed by many ...

  2. Learn about Yoko Ono's performance art piece Cut Piece, where she invited the audience to cut her clothing with a knife. Listen to her explanation of the multiple meanings and messages behind this provocative action.

  3. Yoko Ono | 1965Performed on March 21, 1965 at Carnegie Recital Hall, New York.Experience Yoko Ono's captivating performance of Cut Piece at the renowned Carn...

    • 9 min
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    • Alexander Westerman
  4. Jun 19, 2015 · Yoko Ono's "Cut Piece" is a provocative work of performance art in which she invites audience members to cut off her clothing and take it as a souvenir. The article explores the personal and historical contexts of the piece, as well as its recent reenactment by Peaches.

  5. www.moma.org › artists › 4410Yoko Ono - MoMA

    At turns poetic, humorous, unsettling, and idealistic, Ono’s early instruction pieces anticipated her later work, such as Cut Piece (1964), a performance in which people were invited to cut away portions of her clothing; Sky Machine (1966), a sculpture that speaks to her environmental concerns; and To See the Sky (2015), a spiral staircase installed beneath a skylight that visitors were ...

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  6. Dec 5, 2023 · Analysis of the feminist performance of Yoko Ono Cut Piece : Imagine being so open to vulnerability, that you would voluntarily sit on stage dressed in your best outfit and invite audience members to come on stage and cut out pieces of your clothing. On July 20,1964, then-31-year-old Japanese artist

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  8. Feb 18, 2017 · Ono’s Cut Piece was the first performance piece to address the potential for sexual violence in public spectacle. It is also among the first examples of Performance Art. During the sixties, Ono gravitated toward the circles of artists participating in “happenings,” and held events at her own loft at 112 Chambers Street in New York City.