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  1. The Red Shoes is a 1948 British drama film written, produced and directed by Michael Powell and Emeric Pressburger. [4] It follows Victoria Page (Moira Shearer), an aspiring ballerina who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov (Anton Walbrook), who tests her dedication to the ballet by making her choose between her career and her romance with composer ...

  2. The Red Shoes: Directed by Michael Powell, Emeric Pressburger. With Anton Walbrook, Marius Goring, Moira Shearer, Robert Helpmann. A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

    • (40K)
    • Drama, Music, Romance
    • Michael Powell, Emeric Pressburger
    • 1948-10-22
  3. Rated 5/5 Stars • Rated 5 out of 5 stars 03/26/24 Full Review Matthew B The period between the 1930s and the 1950s was marked by a good many song-and-dance movies. The Red Shoes is not one of those.

    • (67)
    • Drama, Romance
    • Michael Powell, Emeric Pressburger
  4. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

    • 136 min
    • 125.4K
    • AkiMovies
  5. Jan 1, 2005 · A classic British film about a ballerina, a composer and a ruthless impresario, based on a Hans Christian Andersen fairy tale. Roger Ebert praises the casting, the cinematography and the ballet sequence of this dark and glorious homage to dance.

  6. Synopsis. Based on a Hans Christian Andersen fairy tale about a pair of enchanted crimson ballet slippers, 'The Red Shoes' follows the beautiful Vicky Page (Moira Shearer), a young socialite who loves ballet, the rising composer Julian Craster (Marius Goring) whom she loves, and her dictatorial director, Boris Lermontov (Anton Walbrook).

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  8. A classic backstage drama about a ballerina torn between love and art, with stunning Technicolor cinematography and a famous ballet sequence. Learn about the film's production, restoration, and legacy with commentary, interviews, and essays.

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