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1 day ago · Strand Releasing copresident Marcus Hu, a San Francisco native, spearheaded the restoration. Madsen said it was important to preserve the film, which was made before the millennium in a decade that saw an explosion of queer films that got art house releases, such as Rose Troche’s “Go Fish” (1994) and Cheryl Dunye’s “The Watermelon Woman” (1996).
3 days ago · Meanwhile, Frameline has grown beyond being the longest-running LGBTQ+ film festival to further fulfill its mission dedicated to funding, distributing, restoring and amplifying queer films. “High Art”: 6:30 p.m. Saturday, Nov. 2. $18.50-$19.50 film only; $50 film and party; $35 party only. San Francisco Museum of Art Phyllis Wattis Theater ...
4 days ago · More than 70 women artists are represented in the Berkeley Art Museum and Pacific Film Archive’s (BAMPFA) new show, Making Their Mark: Works from the Shah Garg Collection. The exhibition, which premiered in New York last year, is the presentation’s only West Coast engagement. Its opening last weekend coincides with the launch of the ...
2 days ago · After the 1989 Loma Prieta Earthquake damaged the San Francisco waterfront, she spent 10 years at the Port of San Francisco, first overseeing reconstruction of historic fishing industry facilities at Fisherman’s Wharf and then managing the development and implementation of the Port’s long-term plan for rebirth of the San Francisco Waterfront, including the renovated Ferry Building, the SF ...
2 days ago · The Palace of Fine Arts is not only an architectural marvel but also a cultural hub. It hosts a variety of events, performances, and exhibitions that showcase a wide range of artistic expressions, from classical music concerts to contemporary art installations.
3 days ago · World-renowned artist David Best presents The Houston Temple, on view at the Orange Show Center for Visionary Art - April 12 - November 6, 2024.
2 days ago · In San Francisco, the feel is more factorylike, an open plan of studios and classrooms bordering a giant central “makers yard” in the high-vaulted shell of a vintage 1951 SOM Modernist industrial design.
