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Pauline Kael. Jew Score: 12. I 4. O 4. K 4. June 19, 1919 – September 3, 2001. Francis Ford Coppola doesn't make too many movies anymore, so when he does, it's a big deal. His new film, Megalopolis, the first in 13 years (good luck naming one that came before), has had a rather divisive reception after its premiere at Cannes.
Pauline Kael (/ keɪl /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [ 2 ] Kael often defied the consensus of her contemporaries.
In the fall of 1965, a season that brought movies as distinct as “Alphaville” and “Thunderball” to the screen, Pauline Kael came to dinner at Sidney Lumet’s apartment, in New York.
Pauline Kael's review ofOrdinary People (1980)from The New Yorker, October 12, 1980
In her BONNIE AND CLYDE essay, Pauline Kael forecasted the sea change that would take place in American film and displayed an acute understanding of the new American moviegoer that forever cemented her name in the echelons of great American critics.
Sep 11, 2019 · What She Said – informative, entertaining and tonally spot-on – conjures up some of the exhilaration Pauline Kael’s writing inspires. It’s virtually an opportunity to read her and go to the movies at the same time.
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Feb 12, 1971 · Pauline Kael's 1971 essay on “Citizen Kane,” Orson Welles, and Herman J. Mankiewicz.
