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Michael John Moorcock (born 18 December 1939) is an English writer, particularly of science fiction and fantasy, who has published a number of well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician.
Michael Moorcock is astounding. His enormous production contains over 50 novels, countless short stories and a rock album. He was born in London 1939, became an editor for Tarzan Adventures when he was 16 years old and than continue as an editor for Sexton Blake Library.
- Writer, Actor, Cinematographer
- December 18, 1939
- Michael Moorcock
The Final Programme (U.S. title The Last Days of Man on Earth) is a 1973 British fantasy science fiction film directed by Robert Fuest, and starring Jon Finch and Jenny Runacre. [2] It was based on the 1968 Jerry Cornelius novel of the same name by Michael Moorcock. It is the only Moorcock novel to have reached the screen.
Discussion of films based on Michael Moorcock's books/characters, including 'The Final Programme' as well as news, speculation and discussions of a possible Elric trilogy.
The Michael Moorcock Library. London: Titan Comics hardcovers. Listed below in order of publication (Click here for alphabetical order) 1st April, 2015 (dated “March” on copyright page) Elric Of Melniboné;graphic adaptation by Roy Thomas (script) and P. Craig Russell & Michael T. Gilbert (credited as Michael T. Davis on copyright page ...
The Dreamthief’s Daughter (2001), The Skrayling Tree (2003) and The White Wolf’s Son (2005) were retitled recently as part of a massive and ongoing re-issue in the U.K. of virtually the whole Moorcock back-catalogue, a definitive, career-retrospective series of 30+ omnibus volumes (and/or individual e-books).
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Sep 12, 2024 · The Michael Moorcock Collection. London: Gollancz trade-sized paperbacks; edited by John Davey; each volume includes ‘Introduction To The Michael Moorcock Collection’ by John Clute (pp. vii–xii) and ‘Introduction To The Michael Moorcock Collection’ by Moorcock (pp. xiii–xviii)