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Cinematography (Black-and-White) - George Barnes Directing - Alfred Hitchcock Best Motion Picture - Selznick International Pictures
After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020). Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream.
John Bryan and Wilfred Shingleton won the Academy Award for Best Art Direction, Black-and-White, while Guy Green won for Best Cinematography, Black-and-White. The film was also nominated for Best Director, as well as Best Screenplay Adaptation, and Best Picture.
Best Cinematography, Black & White: Harry Stradling Sr. Best Score Drama or Comedy: Miklós Rózsa; Best Score Musical: George Stoll; Best Song: Richard Rodgers, Oscar Hammerstein II (It Might as Well Be Spring) Best Art Direction, Color: Hans Dreier, Ernst Fegté, Sam Comer; Best Art Direction, Black & White: Wiard Ihnen, A. Roland Fields
- The Grapes of Wrath (1940) John Steinbeck’s iconic 1939 Pulitzer Prize-winning novel finds the perfect director to adapt it in the great John Ford. bringing the Joad clan to life during the Dust Bowl-era in a film of unforgettable passion and power.
- The Third Man (1949) Something of a compendium of film noir technique, Carol Reed’s The Third Man is, as New York Times movie critic Bosley Crowther wrote “a brilliantly packaged bag of cinematic tricks, [showing Reed’s] whole range of inventive genius for making the camera expound.
- Rashômon (1950) This lyrical and legendary masterpiece from Akira Kurosawa tells the judiciously straight-forward tale of Tajōmaru, a bandit (Toshiro Mifune) who’s charged with murdering a Samurai (Masayuki Mori) and then raped his wife (Machiko Kyo).
- Manhattan (1979) Filmed in beautiful black-and-white and 2.35:1 widescreen by Gordon Willis, writer-director Woody Allen’s valentine to New York City is a visual feast.
Jimmy Stewart and Bob Hope presided over the ceremony on Thursday, March 7, 1946. Searchlight scanned the skies and tuxedos and evening gowns hit the red carpet. The Lost Weekend took home four Oscars that night: Best Picture, Best Director, Best Actor and Best Writing (Screenplay).
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18th Academy Awards (1946) - Movies from 1945. Nominees - Best Cinematography, Black & White. Harry Stradling Sr. Winner. The Picture of Dorian Gray ...
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