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1920s and 1930s
- While not indigenous to KC, jazz certainly grew up here. The city’s heyday hit in the 1920s and 1930s, when it took root along 12th and 18th streets Downtown—a vital hub of Kansas City’s African-American community—and where many great musicians got their start.
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While not indigenous to KC, jazz certainly grew up here. The city’s heyday hit in the 1920s and 1930s, when it took root along 12th and 18th streets Downtown—a vital hub of Kansas City’s African-American community—and where many great musicians got their start.
- Who to Watch in KC Jazz
At the peak of Kansas City’s jazz heyday in the 1920s and...
- Who to Watch in KC Jazz
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop.
JDRC’s redevelopment plans call for the recreating of the architectural style, streetscape, character and vitality that the district had during the heyday of the Jazz Era. The city of Kansas City, Missouri approved the 18th & Vine Historic Jazz District Urban Redevelopment Plan in May 1998.
KC’s jazz heyday in the 1920s and 1930s was found along 12th and 18th streets downtown, both part of the hub of the city’s African-American community and where many great musicians got their start in jazz groups.
Decades after the heyday of Kansas City jazz, Morris ran a bar that kept the music and spirit of that legendary period alive as a haven for jazz aficionados. Milton Morris was born in Kansas City, one of six children, and raised in an orphanage after his father abandoned the family.
At the peak of Kansas City’s jazz heyday in the 1920s and 1930s, some of history’s greatest Jazz icons—folks like Louis Armstrong, Ella Fitzgerald, Duke Ellington, Mary Lou Williams and Count Bassie, just to name a few—could be heard in many of the more than 200 music venues dotted around town.
Kansas City Jazz. In the 1920s and 1930s, African American musicians in the Kansas City area developed their own style of jazz that pulled heavily from the blues music tradition as well as ragtime.
