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  1. Werner Schroeter (1945-2010) was a German film director, screenwriter, and opera director known for his stylistic excess. He made experimental and art cinema films, documentaries, and worked with actors like Isabelle Huppert and Rainer Werner Fassbinder.

  2. Werner Schroeter (1945-2010) was a German director, writer, cinematographer and actor. He was a key figure of the New German Cinema of the '70s, known for his historical and personal films such as Malina, The Rose King and Palermo or Wolfsburg.

    • January 1, 1
    • Georgenthal, Thuringia, Germany
    • January 1, 1
    • Kassel, Hesse, Germany
  3. Werner Schroeter war ein deutscher Film-, Opern- und Theater-Regisseur, der für seine experimentellen und provokanten Werke bekannt war. Er starb 2010 an Krebs und wurde mit zahlreichen Preisen geehrt, darunter der Goldene Bär, der Sonderpreis von Venedig und der Teddy Award.

  4. Among the most important post-war German filmmakers, Werner Schroeter remained during his life a conspicuously little-seen and rarely discussed figure in the US and Britain, despite amassing a body of over 40 films, directing some 60 theatre and opera productions, garnering innumerable awards and earning the esteem of many of Europe’s ...

  5. Werner Schroeter. Director: The Kingdom of Naples. The key person of the New German Cinema of the '70s. His works, mostly shot in 16mm, combine an intense interest and knowledge of German history and personal dramatic and emotional investigations.

    • April 7, 1945
    • April 12, 2010
  6. Schroeter’s stylized, performance-centered aesthetic draws on opera, pop music, stage melodrama, contemporary dance theater, and cabaret. His films consist of overt allegories and fables driven by the Romantic impulse, distilling moments of desire, loss, and death in all-consuming emotion.

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  8. Apr 12, 2010 · Werner Schroeter (7 April 1945 – 12 April 2010) was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large.