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Jul 12, 2019 · Candy Jernigan. The artist, who died in 1991, at the age of thirty-nine, is best known as a taxonomist of the Lower East Side who used the crack vials, drug baggies, and crumpled wrappers she ...
- Condé Nast
May 21, 2014 · Candy Jernigan (b. 1952- 1991) attended Pratt Institute in Brooklyn, NY. Soon after graduating she became a painter, set and costume designer in Provincetown, MA. In Evidence, Stokes Howell wrote, " By the time she returned to New York in 1980 she was starting to develop the themes and methods she would work with the rest of her life." Candy ...
Candy Jernigan was a New York-based artist who created collages, drawings, paintings, and installations using found objects and materials. This web page showcases some of her works from 1982 to 1989, such as Travel Series, The New York Collections, and 99 Bottles of Beer on the Wall.
Candy P. Jernigan (1952 – June 5, 1991) was an American multimedia artist, graphic designer, and set designer, instrumental in the avant-garde art scenes of Provincetown and New York City in the late 1970s and 1980s. She is best known for her vivid collages of found objects she described as "rejectamenta", presented in diagrams to absurd effect.
Candy Jernigan was a Postwar & Contemporary artist who was born in 1952. Numerous key galleries and museums such as Greene Naftali have featured Candy Jernigan's work in the past. Candy Jernigan's work has been offered at auction multiple times, with realized prices ranging from 300 USD to 400 USD, depending on the size and medium of the artwork.
Caption: Untitled (vessels), c. 1990-1991 Installation comprising 59 works, acrylic on paper 24 x 17.75 inches Courtesy of the Candy Jernigan Estate and Greene Naftali Gallery. Documentation of Candy Jernigan at The Wattis Institute, San Francisco is featured on Contemporary Art Daily.
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Candy P. Jernigan (1952 – June 5, 1991) was an American multimedia artist, graphic designer, and set designer, instrumental in the avant-garde art scenes of Provincetown and New York City in the late 1970s and 1980s. She is best known for her vivid collages of found objects she described as "rejectamenta", presented in diagrams to absurd effect.
