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De Kooning once summarized the history of female representations as “the idol, the Venus, the nude.” In Woman, I, he both alludes to and subverts such conventions, while possibly referencing the long-held societal ambivalence between reverence for and fear of the feminine.
- Woman, I (1950–52) Woman, II (1952) Seated Woman (1952)
uneasy recognition of the primitive within himself, de...
- Woman, I (1950–52) Woman, II (1952) Seated Woman (1952)
A painting from the Women series, ca. 1952, featuring a garish and humorous figure with a collaged mouth. Learn about the artist, the context, and the details of this Abstract Expressionist work.
Woman I is a 1950 abstract expressionist painting by American artist Willem de Kooning. The work is in the collection of the Museum of Modern Art, in New York. [1]
Title: Woman, I. Artist: Willem de Kooning (American (born The Netherlands), Rotterdam 1904–1997 East Hampton, New York) Date: 1950–1952. Medium: Oil on canvas. Dimensions: 75 7/8 × 58 in. (192.7 × 147.3 cm) Classification: Paintings. Credit Line: The Museum of Modern Art, New York. Purchase, 1953
De Kooning's Woman I is a large-scale portrait of a woman with a fierce expression and a voluptuous body. It reflects his fascination with the female form and his use of oil paint to capture its flesh.
uneasy recognition of the primitive within himself, de Kooning’s modern-day Venus of Willendorf was the agent of her maker, the impresario of a dark and violently funny comedy on the nature of the human species. More often than not, observers described de Kooning’s Woman in secular terms
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Dr. Zucker: [1:23] Willem de Kooning is one of the central Abstract Expressionists. He was friends with Jackson Pollock. He was spending time with Mark Rothko. Yet, here’s a man who goes back to the human figure. [1:33] And large-scale seated female figure goes all the way back in the history of art to the Madonna.
