Search results
- The Pillow Book (1996) The Pillow Book takes its name from an ancient diary from Japan and follows a young model, Nagiko, who, obsessed with calligraphy, seeks to find a lover who is skilled at both handwriting, to write on her skin, and pleasuring her.
- Nightwatching (2007) Marking Greenaway’s first major project since the enormous “Tulse Luper” endeavor, Nightwatching is a very personal film, and it shows, forming a much more well thought out film than usual.
- Prospero’s Books (1991) Based on Shakespeare’s play, The Tempest, this experimental treat focuses on the legendary library of the main character Prospero, played by the iconic Shakespearean actor John Gielgud, that he famously saves from the storm and obsesses over.
- The Baby of Macon (1993) The Baby of Macon is a very interesting entry in Greenaway’s filmography. The film concentrates on a play of the same name, set in the 1600s, being performed in front of an audience.
Can you name the feature length films of Peter Greenaway? Test your knowledge on this movies quiz and compare your score to others. Quiz by FedericoDeLaFe
Play Movie Stars quizzes on Sporcle, the world's largest quiz community. There's a Movie Stars quiz for everyone.
4 days ago · Amazing Movie Stars 1 Trivia Quiz. Quizzical35: Here are 25 multi-choice questions on movie stars which increase in difficulty. You are sure to learn something new as I did whilst composing this quiz. Let me entertain you.
Here's one path that uses 3 guesses: Unleash your Hollywood knowledge in the ultimate game of cinematic connections - a daily, fun-filled movie star guessing game. If you enjoy movie trivia or games like Wordle and Framed then you're sure to love playing Starcrossed.
Feb 3, 2015 · Owner of a tiger in The Hangover? Based on the movie and the clue, name these celebrity cameos.
People also ask
What can be said about Peter Greenaway?
Who is Peter Greenaway?
What is Greenaway's style?
Oct 15, 2014 · To best understand Greenaway’s films (and especially the “essential” ones that follow), we first have to understand his position as a skeptic of the boundaries of cinema and his disenchantment and subsequent aberration with the conventions of the medium.