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  1. Dec 16, 2020 · Ava Sets Up Camille As The Sequel’s Villain. With the Ava ending showing Camille following the titular assassin, she is clearly positioned to be an antagonist in a possible sequel. There have been no sequel discussions officially, but Taylor and Chastain left the film wide open for another adventure if a studio is interested.

    • Theatrical Movies Editor
  2. May 12, 2021 · The streamer has also greenlit a sequel to "Bright," which, like "Ava" received a negative response from critics. Only time will tell if the success of "Ava" on Netflix will prompt the streaming ...

  3. May 19, 2024 · Since Caleb is literally the “deus ex machina” that allows Ava to finally escape, she’s not going to let anything go to chance — even if that means potentially dooming him to die. However ...

  4. Apr 27, 2015 · Doing a solid $5.4 million over the weekend, Ex Machina is likely on its way to becoming the subject du jour for anyone who’s dreamed (or dreaded) about the moment of singularity. Indeed, the ...

  5. Dec 7, 2020 · Ava Plot Synopsis. ‘Ava’ opens with Ava Faulkner preparing to assassinate the British financier Peter Hamilton (Ioan Gruffudd). Before she kills him, she asks him what he has done to make someone not want him to be alive any longer. A panicked and terrified Peter replies that he has no idea as he is just a person who moves money around for ...

  6. Ava (2020 film) Ava is a 2020 American action thriller film directed by Tate Taylor written by Matthew Newton and produced by Chastain's production company, Freckle Films. The film stars Jessica Chastain, John Malkovich, Common, Geena Davis, Colin Farrell, Ioan Gruffudd and Joan Chen. Ava premiered in Budapest on June 2, 2020, and in the United ...

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  8. www.filmreviewdaily.com › all-reviews › ava-2020Ava - FILM REVIEW

    Dec 12, 2020 · Even the bad guys have backstories: the very, very wicked Simon (Colin Farrell) has a delightful little daughter, while Ava’s mentor, the amoral Duke (John Malkovich), can only be described as avuncular. Yet in spite of Tate Taylor’s attempts to open out the genre, the exposition remains mechanical and the action scenes exceedingly improbable.

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