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Wild Mouse. When Georg loses his job, he conceals the fact from his younger wife Johanna, who wants a child with him. Instead, he embarks upon a campaign of revenge against his former boss and begins to renovate a roller-coaster with an old school friend.
- (2.9K)
- Comedy, Crime, Drama
- Josef Hader
- 2017-02-17
What begins with minor property damage soon turns into a campaign of all out terror. At the same time, Georg and Erich have a go at trying to revive a dilapidated rollercoaster in Vienna’s Prater amusement park – the legendary ‘wild mouse’. Awards
- (104)
- Austria
- Han Xiaosu; Andreas Thalhammer
- Josef Hader
Mar 9, 2017 · While keeping his dismissal a secret from his psychotherapist wife Johanna, whose mind is occupied solely by getting pregnant, Georg begins to plot his revenge. Kings should be treated courteously! At least, that's what famous music critic Georg thinks.
Wild Mouse (German: Wilde Maus) is a 2017 Austrian comedy film directed by Josef Hader. It was selected to compete for the Golden Bear in the main competition section of the 67th Berlin International Film Festival. Cast. Josef Hader as Georg; Pia Hierzegger as Johanna; Jörg Hartmann as Waller; Denis Moschitto as Sebastian; Georg Friedrich as Erich
When Georg loses his job as music critic with a Vienna newspaper he conceals the fact from his younger wife Johanna, who wants a child with him. Instead, he embarks upon a campaign of revenge against his former boss and begins to renovate a rollercoaster in the Wurstelprater amusement park.
WILD MOUSE. by Josef Hader. synopsis. When 50-year-old Georg loses his job as music critic with a Vienna newspaper he conceals the fact from his younger wife Johanna, who wants a child with him. Instead, he embarks upon a campaign of revenge against his former boss and begins to renovate a rollercoaster in the Wurstelprater amusement park along ...
Feb 7, 2019 · Wild Mouse, written, directed and performed by comedian Josef Hader and presented in competition at the 67th Berlinale, is a personal drama, but above all a (not too) soft critique of society and the world of work, where the saying “mors tua, vita mea” has never been so apt. Whoever is without sin…
