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  1. Dec 14, 2023 · In its place was Hi-NRG, a sort of turbo-charged disco that powered its way through the gay American nightclub scene like a Hennessey Venom F5. Hi-NRG tracks are generally typified by staccato hi-hat rhythms, reverberated vocals, simple octave basslines and a tempo between 120bpm and 140bpm.

  2. Mar 10, 2021 · Having now posted over 160 Boystown, Hi-NRG and Italo Disco tracks from 1982-1983 on this blog and on my Youtube Channel, I thought it would be fun to see which songs still attract the most attention today, giving a possible indication which songs have stood the test of time.

  3. Aug 27, 2021 · The Smash Hits article about Hi-NRG, publised in July 1984. NME’s Hi-NRG Chart from Septmeber 1984. Considering most Hi-NRG tracks were released on very small, independent record labels, one wonders why what was essentially gay disco suddenly attracted the attention of the wider music industry.

  4. en.wikipedia.org › wiki › Hi-NRGHi-NRG - Wikipedia

    Hi-NRG (pronounced "high energy") [2] is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly ...

  5. Today, colloquially known as the Today programme, is BBC Radio 4's long-running morning news and current-affairs radio programme. Broadcast on Monday to Saturday from 06:00 to 09:00 (starting on Saturday at 07:00), it is produced by BBC News and is the highest-rated programme on Radio 4 and one of the BBC's most popular programmes across its ...

  6. Oct 15, 2024 · In the 1970s and 1980s, long before RuPaul's Drag Race brought the art form into the mainstream, this outrageous actor, singer and cultural disruptor was blazing a trail that remains highly...

  7. May 23, 2024 · Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape.

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