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"Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. [1]
The blues, often associated with melancholy and sadness, is transformed into an upbeat and lively tune in Armstrong’s rendition. Listening to “Dippermouth Blues” reminds me of the power of music to transcend barriers and bring people together.
Aug 7, 2024 · One of the songs is “Dippermouth Blues,” co-penned by Armstrong and Oliver. Though best-remembered for Oliver’s plunger mute solo, the title refers to Armstrong. Dipper was in fact one of Armstrong’s early nicknames, a riff to his somewhat unusual embouchure.
Aug 12, 2023 · Today, we will start to explore the most famous, and most imitated, piece in the band’s repertoire, “Dipper Mouth Blues.” That is how the title appears in the copyright info and on the original 78 r.p.m. labels. But it is most often written as “Dippermouth Blues,” and when quoting others below, I will not change their formatting.
Apr 6, 2023 · According to Danny Weiss, senior lecturer of Jazz History in Purdue’s Department of Music, “Dippermouth Blues” is one of the the most important early jazz recordings demonstrating the strong influence of blues and is probably the most significant moments in Indiana’s music history.
He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong.
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“Dipper Mouth Blues” was Oliver's signature song. This is lively, expertly played New Orleans jazz from start to finish. Oliver displays masterful use of the mute during an extended cornet solo that finally ends with someone shouting “Oh, play that thing!”
