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Kane makes this type of torn decision central to his self-forming actions (SFAs), which form the basis for an agent's "ultimate responsibility" (UR). By ultimate responsibility Kane means that the sources or origins of our actions lie "in us" rather than in something else (such as decrees of fate, foreordained acts of God, or antecedent causes ...
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Kane's most original contribution to the free-will debates...
- Can We Agree
Here are a few areas of possible agreement suggested by...
- Free Will Questions
Your Basic Argument denies that an agent can be responsible...
- Randolph Clarke
Clarke defines additional new terms in his 2003 book...
- Harry Frankfurt
Harry G. Frankfurt was the inventor of wildly unrealistic...
- Galen Strawson
Galen Strawson developed a "Basic Argument" which attempts...
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Mar 7, 2024 · In the film’s poignant conclusion, it is revealed that “Rosebud” is the name of Kane’s childhood sled, an object from a time before he was torn from his family and thrust into a life of affluence and expectation.
Citizen Kane shows us that money can never possibly compensate for the loss of a mother's love. Citizen Kane demonstrates how growing up with money will warp a child's experience of love and make them think that money can bring them other people's love.
Citizen Kane’s enigmatic ending has stood the test of time, leaving audiences intrigued and questioning the meaning behind Charles Foster Kane’s dying word. As viewers continue to explore the film’s narrative depths, they uncover new layers of symbolism and draw their own conclusions.
As an adult, Kane has a great deal of wealth and power but no emotional security, and this absence of security arrests his development and fuels his resentment of authority. Because of his wealth, Kane has no motivation or incentive to subject himself to social norms.
Nov 23, 2021 · Kane tells us something about American politics, and its central images keep returning in the national life: Richard Nixon secluding himself at San Clemente, or Howard Hughes, just before his death, living in a Bahamas retreat he called the Hotel Xanadu.
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Orson Welles’ brilliant film Citizen Kane (1941) ends with a solution to a puzzle. A fast-talking newsreel producer, looking for an angle for his biography of the recently deceased Charles ...
