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Rohmer preferred to use non-professional actors in his films. He usually held a large number of rehearsals before shooting and would shoot his films very quickly. He spent little time editing his films.
Mar 24, 2021 · His five essays put into action the auteur idea (which, pace Andrew Sarris, is not a theory but a practice): Rohmer was watching movies not like a spectator but like an artist. In the first...
The Cinema of Eric Rohmer combines history and criticism, and offers in-depth analysis of the themes and ideas in each of Rohmer’s twenty-three films, illustrating the complexity of their cinematic style and their non-stop engagement with reality, providing a timely rebuttal to Harry Moseby.
Apr 4, 2010 · In La collectionneuse Rohmer ordered him to shoot only one take of each shot; it was not so much due to money issues, but mostly because Rohmer believed that the actors are much better in the first take (after intensive rehearsals before the shooting itself started). There are only two instances of shots that required two takes, partly due to a ...
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Journal d’un scélérat (1950) short Présentation ou Charlotte et son steak (1951) short Les Petites filles modèles (1952) short Bérénice (1954) short La Sonate à Kreutzer (1956) short Véronique et son cancre(1958) short Le Signe du lion (The Sign of Leo)(1959) La Carrière de Suzanne (Suzanne’s Career) (1963) short La Boulangère de Monceau (The Girl ...
Nestor Almendros, A Man with a Camera, translated by Rachel Philips Belash, Noonday Press, 1986 Pascal Bonitzer, Eric Rohmer, Paris, Editions de l’Etoile, Diffusion, Seuil, 1991 Eric Rohmer, Comedies et Proverbs, volumes 1 and 2, Petite bibliothèque de Cahiers du cinéma, 1999 Eric Rohmer, The Taste for Beauty, translated by Carol Volk, Cambridge Un...
Rohmer Talk Interview with Mary Stephenby Bill Mousoulis Magic Realism in Conte d’automneby Fiona A. Villella Interview with Eric Rohmerby Aurélien Ferenzi Entretien Avec Eric Rohmerby Aurélien Ferenzi (in French) Triple Agent: Portrait of the Unknowable Other, Reflection of the Unknowable Selfby Tamara Tracz The 4 Adventures of Reinette and Mirabe...
Triple Agent (Éric Rohmer, 2004) By Lee Hill Perceval le Gallois (Éric Rohmer, 1978): Channeling Chrétien de Troyes Through Cinemaby Leah Anderst Images of Femininity: Catherine de Heilbronn (Éric Rohmer, 1980)by Cody Lang Die Marquise von O… (La Marquise d’O…, The Marquise of O, Éric Rohmer, 1976)by Darragh O’Donoghue Scenes from a Revolution: Éri...
Compiled by author and Albert Fung Eric Rohmer A French Rohmer site. Film Directors – Articles on the Internet Links to several online articles here. Guardian Unlimited Film Interview with Rohmer. My Night at Rohmers A site dedicated to Rohmer.
- Tamara Tracz
For his La Collectionneuse, instead of a conventional scenario, Rohmer “constructed a trap, a rather closely woven dramatic canvas” within which the main characters could emerge. To put her at ease and make her “forget the presence of cinema,” Rohmer “set a clever trap” for young Laurence de Monaghan, the Claire of Claire’s Knee.
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Jun 16, 2016 · Though Rohmer’s actresses (and often his actors, too) were put in the position of fusing their personal lives with their onscreen identities, Rohmer himself—even when his films had strongly...
