Search results
Jan 20, 2019 · Initially, the site had been deemed “unbuildable” by several architects and contractors due to the steep 45-degree downhill slope. Lautner’s solution to the house was to embed a 5-foot-thick, 27-foot high reinforced concrete post into the hill to support a floating octagonal pod.
- The California Mies Van Der Rohe
Through the collaboration of these two individuals, the...
- The California Mies Van Der Rohe
Jul 31, 2008 · The show picks up steam with a design for the 1948 Sheats Apartments, Lautner’s first built foray into what would become an obsession with circular structures. A tentative early sketch shows...
Jun 29, 2015 · Lautner often sketched as he built, his initial freehand plans and sections indicate a clear sense of structure and an overarching personality unique to each project. Also, the ideas for each individual project were closely related to the needs of his client.
The house was built in 1963 for Helen and Paul Sheats, then purchased by James Goldstein in 1972, who has owned it ever since, refined and rebuilt it with Lautner himself, and has now promised it and the adjacent landscape and art space to the Los Angeles County Museum of Art upon his death.
Jun 16, 2010 · Built for the client Malin Lautner, a young aircraft engineer, the design of the residence was in fact an engineering challenge due to its location on a forty-five degree slope in an...
Apr 29, 2015 · John Lautner, the highly influential architect behind such Mid-century greats as the Malin Residence, the Chemosphere and the Elrod Residence, described his design process as “a total involvement.”
People also ask
Why did Lautner build a house on a steep hill?
Why did Lautner put a circular rooflight on a hill?
What if John Lautner hadn't built the Elrod House?
How did Lautner make a house octagonal?
How did Frank Lautner influence architecture?
Who is John Lautner?
Jul 16, 2024 · Here, technical innovation draws a surface related to the steep topography, opening up to the landscape thanks to a pool that defines a void in front of the living room. The house generally gathers curvilinear walls that envelop the space, creating a continuous exchange between inside and outside.