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1. www.vanityfair.com › hollywood › 2017High Noon’s Secret Backstory - Vanity Fair

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   Feb 22, 2017 · An ex-member of the American Communist Party, Foreman, while finishing the High Noon screenplay, was subpoenaed in June 1951 by H.U.A.C. and told he would take the stand three months...

   • Author: Glenn Frankel

2. www.newsweek.com › michael-richards-revisitsMichael Richards Revisits "Kramer" and the Racist Rant That ...

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   May 26, 2024 · The scene that caused NBC to ban the episode, according to entertainment trade papers, has Kramer accidentally lighting a Puerto Rican flag on fire and stomping on it to put out the flames.

3. en.wikipedia.org › wiki › Carl_ForemanCarl Foreman - Wikipedia

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   Kramer claimed he had not stood up for Foreman partly because Foreman was threatening to name Kramer as a Communist. [30] Foreman said that Kramer was afraid of what would happen to him and his career if he did not cooperate with the committee.

4. themoderatevoice.com › seinfelds-kramer-ruinsSeinfeld’s Kramer Ruins Career With Racial Insults (UPDATED)

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   Oct 23, 2024 · Richards, a veteran comic actor, sketch comedian and longtime cutting-edge comedian unleashed racial-epithet crammed rant onstage at The Laugh Factory, sparking a firestorm that will most certain...

5. medium.com › picture-palace › the-making-of-highThe Making of High Noon - Medium

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   Apr 23, 2024 · Foreman was fired. But Fred Zinnemann, the film’s director, and Gary Cooper, the star, objected. Kramer learned Foreman never signed a contract deferring his film salary.

   • Author: Loren Kantor

6. www.thenation.com › article › archiveHigh Noon: The Rewrite - The Nation

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   Sep 19, 2002 · But when HUAC subpoenaed Foreman in September 1951 and he proved an uncooperative witness, it meant Columbia would no longer employ Foreman. In Naming Names, Kramer is quoted expressing concern...

7. People also ask

   Why didn't Kramer defend Foreman?

   • According to Foreman, Kramer did not defend him partly because he was threatened with being named as a Communist. Kramer claimed he was afraid of what would happen to him and his career if he did not cooperate with the committee.

   Carl Foreman - Wikipedia

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   Why did Kramer & Foreman hate 'High Noon'?

   • Kramer and Foreman were also at odds over High Noon. Kramer didn’t like what he was seeing in the dailies. Floyd Crosby’s gritty style looked too dark. Kramer also didn’t care for Cooper’s laconic, minimalist performance. “He seemed not to be acting but simply being himself,” Kramer would recall in his memoirs.

   High Noon’s Secret Backstory - Vanity Fair

   www.vanityfair.com/hollywood/2017/02/high-noons-secret-backstory

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   Why did Kramer help Foreman & Zinnemann make a movie?

   • The skintight, $790,000 budget that Foreman and Zinnemann were given in 1951 meant they couldn’t afford to film in color or hire one of the hot young stars they preferred for the lawman, such as Brando, Douglas, William Holden, or Gregory Peck. With Kramer’s help, however, they found their way around many obstacles.

   High Noon’s Secret Backstory - Vanity Fair

   www.vanityfair.com/hollywood/2017/02/high-noons-secret-backstory

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   Why did Kramer hate Floyd Crosby?

   • Kramer, Katz, and Glass were demanding to know where Foreman’s true allegiance lay. Kramer and Foreman were also at odds over High Noon. Kramer didn’t like what he was seeing in the dailies. Floyd Crosby’s gritty style looked too dark. Kramer also didn’t care for Cooper’s laconic, minimalist performance.

   High Noon’s Secret Backstory - Vanity Fair

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   What happened to Carl Foreman?

   • Carl Foreman was blacklisted and unable to work on films by Hollywood studios for the next six years. In October 1951, he sold his interest in the Stanley Kramer Corporation for a reported $250,000. He then formed a new company, Carl Foreman Productions, whose stockholders originally included actor Gary Cooper.

   Carl Foreman - Wikipedia

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   How did Kramer make a good movie?

   • It was also the way they were made: low budget, black and white, scores by Dimitri Tiomkin, inspired film editing by Harry Gerstad, unfussy art direction by Rudolph Sternad, along with Foreman’s characters and dialogue, which grew sharper and more compelling with each film. As a producer, Kramer was a withering perfectionist.

   High Noon’s Secret Backstory - Vanity Fair

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8. www.denofgeek.com › culture › was-john-wayne-highWas John Wayne High Noon’s Biggest Villain? | Den of Geek

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   Feb 19, 2019 · The irony is that Foreman considered Kramer’s betrayal, one that no one could have stopped at the height of the Red Scare, more personally damaging than Wayne’s aggressive antagonism.