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  1. Legendary cinematographer Robert Elswit explains the process behind shooting the arresting images of Netflix's show 'Ripley' with Andrew Scott and Dakota Fan...

    • 9 min
    • 45.9K
    • Variety
  2. Jun 10, 2024 · Working on a soundstage made it easier for Elswit to light the scene transition, which involved him turning on practicals and making the light come through the windows. When Tom carries...

    • Jazz Tangcay
  3. Jun 6, 2016 · I go through some of Robert Elswit's cinematography techniques to help you understand his unique style. Just to be clear: Robert Elswit changes his style to suit the movies he shoots. The...

  4. Feb 27, 2019 · We got to sit down with Oscar-winning cinematographer Robert Elswit, who also has the distinction of being the only man to shoot two "M:I"... This is a big one!

    • 56 min
    • 570
    • LightTheFuse-TheOfficialMission:ImpossiblePodcast
  5. Jun 12, 2024 · Equally clever, and extremely more complicated, was how Elswit and his crew planned to shoot Freddie’s slow-burn demise and the subsequent disposal of his body in the fifth episode.

  6. Apr 10, 2024 · Elswit said, “[W]e wanted hard light – something that didn’t look that real, the way films were lit 60, 70 years ago.” That meant LED panels were largely out for this production, instead deploying fresnel lenses and HMIs.

  7. 61.6K subscribers • 550 videos. The official YouTube channel for SoundStage!, the world's largest group of online hi-fi and music publications. Newest SoundStage! Hi-Fi Reviews and Features You...

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