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Jun 10, 2024 · Working on a soundstage made it easier for Elswit to light the scene transition, which involved him turning on practicals and making the light come through the windows. When Tom carries...
- Jazz Tangcay
Many of the things that Elswit "does" are things many cinematographers do. Not much was mentioned here that was unique to Elswit. For example, how many of his films were shot t2.8-4, and what percentage of the film lies within that stop?
Apr 4, 2024 · Director Steven Zaillian and cinematographer Robert Elswit reveal the methods, ideas, and secrets of their new series’ meticulous black-and-white visuals.
Jun 8, 2016 · Robert Elswit's affinity for long takes, a moving camera, and anamorphic lenses give him a unique style that has made films like Boogie Nights, There Will Be Blood, and Nightcrawler so spectacular to watch. Sareesh Sudhakaran of wolfcrow delves into the techniques Elswit uses in his work, including camera movement, lighting, and more.
Apr 10, 2024 · Elswit said, “[W]e wanted hard light – something that didn’t look that real, the way films were lit 60, 70 years ago.” That meant LED panels were largely out for this production, instead deploying fresnel lenses and HMIs.
DESCRIPTION: This week we’re revisiting one of our biggest interviews, this time with legendary Oscar-winning cinematographer Robert Elswit, who shot both “Mission: Impossible - Ghost Protocol” and “Mission: Impossible - Rogue Nation.” We get plenty of details about the making of both films, including (of course) what it was like to ...
Robert Christopher Elswit, ASC (born April 22, 1950) is an American cinematographer. He has collaborated with Paul Thomas Anderson on six of his films and won the Academy Award for Best Cinematography for There Will Be Blood.
