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- Berlioz provided his own programme notes for each movement of the work. He writes: ‘The composer’s intention has been to develop various episodes in the life of an artist, in so far as they lend themselves to musical treatment. As the work cannot rely on the assistance of speech, the plan of the instrumental drama needs to be set out in advance.
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A master orchestrator, Berlioz wrote a part in his Symphonie Fantastique for the bass ophicleide, a brass instrument that looks like a cross between a bassoon and saxophone, with long, cone-shaped tubing and a mouthpiece similar to a trombone’s.
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Later he studied philosophy, rhetoric, and – because his father planned a medical career for him – anatomy. [13] Music did not feature prominently in the young Berlioz's education. His father gave him basic instruction on the flageolet, and he later took flute and guitar lessons with local teachers.
- Julian Rushton
- 1983
programme music. It tells the story of a talented artist with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless love. Berlioz provided his own programme notes for each movement of the work. He writes:
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Nov 10, 2023 · Hector Berlioz (1803-1869) was the leading French composer of Romantic music, best known for his innovative Symphonie fantastique and use of large-scale orchestras and choruses in works like The Trojans opera.
- Mark Cartwright
- An English Actress Inspiresthe First Great French Symphony
- The Program and Itslimits
- The First Movement andthe Idée Fixe
- The Harps Are The Starsof The Ball
- Shepherds in Thecountry
- A Witness to His Own Execution
- The Grotesque Dance Ofdeath
Like many greatcomposers of the early 19thCentury, Berlioz had an exceedinglyromantic temperament, and in his case, that word can be applied in all itscurrent and former senses. The failed medical student who recognized his own musicaltalent was remarkably tenacious in his zeal to nourish that talent. A native ofsoutheastern France, born not far fr...
Most classical musicfans and patrons are well acquainted with the program, and in musicappreciation classes, the symphony has become a sort of poster child for 19th-Centuryinstrumental program music. Beethoven’s Sixth Symphony (which will be heard atthe CMF August 1) is also often cited, but the program of the Fantastiqueis so detailed, the story b...
Berlioz called the large-scalefirst movement “Rêveries, Passions” (“Dreams – Passions”). He made it clearthat the substantial introduction represented the dreams and the main part ofthe movement the passions. Schumann devoted great attention to this firstmovement, as did scholar Edward T. Cone in his excellent Norton Critical Scoreof the symphony.S...
In the initial draft ofthe program included in the letter to Ferrand, the “Ball” movement was third,following the Scene in the Country. The switched order makes more dramatic andmusical sense, placing two more character-like pieces in second and fourthposition with the large slow movement in the center. The waltz itself infast 3/8 time is brilliant...
The third movement, the“Scène aux champs” (“In the Country”) begins with the dialogue between thepiping shepherds, the near one playing the English horn (another instrument notyet standard in the orchestra) and the answer in the distance from the regularoboe. Eventually, they are underpinned by rumbling strings before the main partof the movement b...
If what has proceededthus far was already new and different, the last two movements completelyexplode all boundaries. Here, Berlioz brings on the brass, including two of thosestrange predecessors of the tuba, the “ophicleide” or “serpent” (invariablyplayed on tubas today). The ingenious use of the timpani at the end of theprevious movement continue...
It is possible to seethe influence of Goethe’s Faust on this final movement. Berliozcertainly knew that major literary work and would later write his ownsemi-opera on the story. The scene of the movement seems specifically inspiredby Goethe’s “Walpurgis Night” scene. The movement is vast, but its outlines areclear. The home key is once again C mino...
Six years after the premiere of Beethoven’s monumental Ninth Symphony, composer Hector Berlioz sought to make use of the symphonic genre, but on his terms. Indeed, he wrote not only a five-movement symphony but also a narrative program to accompany and explain the symphony.
Jul 16, 2023 · Berlioz provided his own program notes for each movement of the work (see below). He prefaces his notes with the following instructions: The composer’s intention has been to develop various episodes in the life of an artist, in so far as they lend themselves to musical treatment.
