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Local broadcast television in Hong Kong was first produced in 1957 with the launch of Rediffusion Television, making it the first territory in Greater China and colony of the British Empire to be served by local TV. [2]
This study aims to write a critical history of representation of Chinese mainlanders in Hong Kong TV dramas (HDs, hereafter). From the lazy and imprisoned Ah Chian（阿燦, 《網中人》1979）, to the well-educated and conniving Tian Mi (田蜜, 《不懂撒嬌的女人》2017), mainlander images have become more and more complicated ...
Local broadcast television in Hong Kong was first produced in 1957 with the launch of Rediffusion Television, making it the first territory in Greater China and colony of the British Empire to be served by local TV. [2] TVB was later founded in 1967 to become the territory's first free-to-air television network. [3]
In this chapter I look at some of the export successes of China’s television drama industry. In recognizing dramas that have registered sales in international markets, it becomes apparent that classic and historical tales have been the mainstay.
Kong, a former British colony, to examine audiences’ preference for local, regional and global TV dramas, with an emphasis on the prosperity of regional products. We detect a hybridized choices pattern of TV dramas in Hong Kong.
We detect a hybridized choices pattern of TV dramas in Hong Kong. In general, local TV dramas gain an incomparable advantage over the imported ones and attract people across age and social status spectrum; compared with Western TV dramas, those imported from the regional countries are more preferable because of the cultural proximity.
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The case of importing Korean dramas revealed the process of how the local “transnationalizes” foreign media products to enhance its local national status: exploiting the indigenous, negotiating the political and the national, and fabricating the modern.
