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Robert Bresson
- Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms.
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Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] J. M. G. Le Clézio wrote a preface for a new edition in 1988. [2] The book was published in English in 1977, translated by Jonathan Griffin. [3]
- Robert Bresson
- 1975
Apr 4, 2004 · Robert Bresson wrote a slim volume of his thoughts on cinema called Notes on Cinematographer which defies categorisation. What is striking and unique about Bresson is how his writing is so much like his filmmaking: the elliptical style, the epigrammatic prose, the obtuse meanings, the material rigidity, the conciseness, the frugality of means.
Jan 15, 2020 · Robert Bresson’s book on filmmaking Notes on the Cinematograph, known in other publications as Notes on Cinematography as well as Notes on the Cinematographer, is both a must-read and must-have for filmmakers and film lovers alike.
Sep 25, 2020 · A celebrated DP of the silent era, Léonce-Henry Burel was plucked from semi-retirement to shoot Robert Bresson’s Diary of a Country Priest in 1951, forging a partnership which continued across A Man Escaped and Pickpocket until they parted ways on 1961’s The Trial of Joan of Arc.
Excerpts from: Notes on Cinematography: Two kinds of films: those which use the theater's means (actors, direction, etc.) and wield the camera in rder to reproduce: those which se the cinematog-rap 's means and wield the camera in order to create.
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Sep 23, 2017 · Notes on the Cinematograph contains a series of brief notes and fragments that Bresson wrote to himself while making films over a period of several decades between 1950 and 1974.
Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] . J. M. G. Le Clézio wrote a preface for a new edition in 1988. [2] . The book was published in English in 1977, translated by Jonathan Griffin. [3]
