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Dec 26, 2023 · “Some Like It Hot” boasts lyrics that carry a powerful message intertwined with clever wordplay. The song speaks about the irresistible pull of passion, desire, and the complexity of human relationships.
- Beethoven to his ‘Immortal Beloved’ In 1812, Ludwig van Beethoven wrote a heartfelt letter to an anonymous woman who he called his ‘Immortal Beloved’. Scholars today think it may have been intended for Countess Josephine von Brunsvik, but the composer never sent the letter.
- Mozart to his wife, Constanze. In a letter to his wife, Constanze, Mozart showed his playfully passionate personality and vivid imagination, wishing to shower her in “millions” of kisses.
- Ethel Smyth to Emmeline Pankhurst. The British composer Ethel Smyth famously had a relationship with fellow suffragette Emmeline Pankhurst. Together, the two not only fearlessly fought for women’s right to vote – they also fell in love.
- Brahms to Clara Schumann. Johannes Brahms was famously in love with Clara Schumann who, rather unfortunately for Brahms, was already married to one of his best friends – Robert Schumann.
Oct 1, 1993 · Laid Lyrics: This bed is on fire with passionate love / The neighbours complain about the noises above / But she only comes when she's on top / My therapist said not to see you no more / She.
Writing credits on this song go to Robert Palmer, Andy Taylor and John Taylor. The Taylors wrote the track and had the title, which they brought to Palmer for the lyric.
- “What Are You Thirsty For?”
- “You Can’T Have Me (If You Don’T Have Him)”
- “Vamp!”
- “I’m California Bound”
- “A Darker Shade of Blue”
- “Take It Up A Step”
- “Zee Bap”
- “At The Old Majestic Nickel Matinee”
- “Poor Little Millionaire”
- “Some Like It Hot”
Between the Depression and Prohibition, times were doubly tough in 1933. Bandleader Sweet Sue (NaTasha Yvette Williams) sets the scene lickety-split in the lively opening number in a Chicago speakeasy. In a winking lyric that easily speaks to any era, Sue belts, “At times like these, we could all certainly use a drink.”
Jobs are scarce for musicians. But saxophonist Joe (Christian Borle) and bassist Jerry (J. Harrison Ghee) are also nimble hoofers. When Joe’s twinkle-toed tapping lands him a gig, he refuses to take it without Jerry, who is initially snubbed because he is Black. “You can’t have proper without the prim, and you can’t have me if you don’t have him!” ...
This high-spirited number earns its exclamation point. After Joe and Jerry witness a mob execution, they hatch a quick scheme to save their lives. “Time to improvise,” they sing, donning wigs and frocks and reinventing themselves as women. Joe becomes Josephine, and Jerry morphs into Geraldine, which he later changes to Daphne.
Intent on escaping into Mexico, the masquerading musicians join Sweet Sue’s all-girl band, the Society Syncopators, headed to San Diego. Also on board is singer Sugar Kane (Adrianna Hicks), who’s had it with men chasing her. “Hey ladies, all aboard, whether you’re running away or running toward!” porters sing in the big number.
Everybody’s got their romantic kryptonite. For Sugar, it’s men who play sax – even though they always disappoint. “When a saxophone starts crying,” she says in the torch song, “that’s when night takes its cue to turn a darker shade of blue.”
When Sue demands her band polish their act, Sugar, Josephine, and Daphne take the lead on this song. The title lyric is a metaphor for how you must shift into high gear to get what you want.
This novelty number sees Sue, Josephine, and Daphne let loose with high-energy scatting. They educate fellow bandmates on how to deal with men behaving like creeps: Shut them down by saying, “Zee bag zah bootalee atta feet bam-bam.” Silly and fun? You bet.
In this beautiful and bittersweet solo, Sugar, reconceived for the musical as a Black woman, shares that movies offered a world beyond her rural, segregated one. “Up there on the screen, there was romance, and the make-believe carried me away,” Sugar sings, revealing her dreams to be a movie star someday. “Because no one I’d ever seen were like the...
This fizzy, doo-wop-laced song introduces goofy Osgood (Kevin del Aguila), who’s been drowning in money since his father invented root beer. However, he laments, his love life is “all at sea.” Then he sees Daphne, and he's immediately smitten.
Shaiman and Wittman fire on all cylinders in this irresistible first-act finale that leads to a pre-intermission cliffhanger. “So ladies, Hades is the spot to be what angels sure are not,” everyone sings. “Some like it hot, and hot is what I got for you!”
Mar 3, 2023 · Who wrote Some Like It Hot? The songs for Some Like It Hot are by composer-lyricist duo Marc Shaiman and Scott Wittman. They're known for their catchy, period-specific scores for musicals like Hairspray and Catch Me If You Can (both set in the '60s) and TV shows like Smash .
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From Brill Building tunesmiths to punk poets, from Woody Guthrie to Max Martin, the visionaries who defined music history.
