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    • Luke Haines

      • The soundtrack, released on 11 June 2001 on Hut Records, was written and performed by Luke Haines, who also co-produced it with Pete Hofman. It included a cover of Nick Lowe 's I Love the Sound of Breaking Glass.
      en.wikipedia.org/wiki/Christie_Malry's_Own_Double-Entry_(film)
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  2. Christie Malry's Own Double-Entry was first published in 1973 by William Collins, Sons and Co. Ltd. It has since then been reprinted twice by New Directions, in 1985 and 2009 respectively. A 2001 edition with a foreword by John Lanchester was published by Pan Macmillan (Picador (imprint)).

    • B. S. Johnson
    • 1973
  3. Christie Malry's Own Double-Entry is a 2000 film directed by Paul Tickell from a screenplay by Simon Bent, based on the 1973 novel of the same name by B. S. Johnson.

  4. Christie Malry's Own Double Entry by Luke Haines is the soundtrack to the film of the same name, based on a novel by B. S. Johnson and directed by Paul Tickell. The album includes a cover of the Nick Lowe song " I Love the Sound of Breaking Glass " from Lowe's Jesus of Cool album.

  5. In the film Christie Malry's Own Double-Entry the eponymous hero, played by Nick Moran, graduates from petty vandalism and industrial sabotage to domestic and international terrorism. He'd dearly love to do to the London skyline what the bombers of September 11 did to New York's.

  6. Jul 20, 2000 · By NME. 20th July 2000. Luke Haines, the driving force behind Black Box Recorder and THE AUTEURS, has turned his attention to movie soundtrack work, writing all the incidental music to...

  7. Jun 7, 2020 · At night school, Christie learns of double-entry book-keeping. This system goes back at least half a millennium to Fra. Luca Bartolomeo Picioli, the Tuscan monk who codified the method in 1494, and has dominated the world ever since.

  8. Christie Malry's Own Double Entry is an underappreciated slice of metafictional revelry. Based on the novel by BS Johnson - a writer who committed suicide after saying "I shall be much more famous when I'm dead" - the narrative alternates between London at the turn of the millennium and Renaissance Milan.

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