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Who was Girolamo Francesco Maria Mazzola?
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1.63 m (5 ft 4 in) Movement. Mannerist. Girolamo Francesco Maria Mazzola (11 January 1503 – 24 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (UK: / ˌpɑːrmɪdʒæˈniːnoʊ /, [2] US: /- dʒɑːˈ -/, [3] Italian: [parmidʒaˈniːno]; "the little one from Parma"), was an Italian Mannerist painter and ...
Aug 20, 2024 · Parmigianino was an Italian painter who was one of the first artists to develop the elegant and sophisticated version of Mannerist style that became a formative influence on the post-High Renaissance generation. There is no doubt that Correggio was the strongest single influence on Parmigianino’s.
- The Editors of Encyclopaedia Britannica
Feb 21, 2024 · Parmigianino, born Girolamo Francesco Maria Mazzola in Parma, Italy, became Italy's most influential Mannerist painter in his brief twenty-year career. His father and uncles taught him the techniques of painting, and by age sixteen he had already completed an altarpiece for a local church.
- Childhood
- Early Training
- Mature Period
- Later Years and Death
- The Legacy of Parmigianino
Girolamo Francesco Maria Mazzola was born in Parma somewhere towards the beginning of 1503. It was only retrospectively, once he had gained his substantial reputation during the middle-period of the Italian Renaissance in fact, did he become known as Parmigianino - "little one of Parma". He was born the fourth child to Donatella Abbati and the pain...
According to Giorgio Vasari, the famous chronicler of Renaissance painters' lives, the young and restless Parmigianino furtively produced sketches during his first writing lessons. His teacher and his uncles recognised that the boy had become heir to his father's talent and so trained him in drawing. Reports vary, but somewhere between the ages of ...
Aged just 21, Parmigianino arrived in Rome with his distorted self-portrait,Self-Portrait in a Convex Mirrorin 1524, just as the Renaissance cusped into what is now known as its "post-peak" phase. It is possible, judging by certain pictorial and compositional elements which Parmigianino began to explore, that he arrived in Rome via Florence where h...
Upon returning to Parma in 1531, Parmigianino stayed briefly in his family home with his uncle Pier. He and Pier no longer saw eye-to-eye however and his daughter and her husband, the painter Girolamo Mazzola Bedoli, were now the focus of his patronage and hospitality. Soon thereafter Parmigianino took up a solitary and separated residence for the ...
In his paintings, Parmigianino's figures are often their own light-source, much as he himself was essentially self-taught, never formally apprenticed. He is a strange and singular figure whose influence stretches far. There was likely some cross-pollination with Correggio, but more importantly his elongated Madonnas and saints were the first truly ...
- Italian
- Parma, Italy
Parmigianino, the Most Precious Jewel. The “Saletta of Diana und Atteone” is the masterpiece frescoed by Francesco Mazzola, called Parmigianino, one of the greatest masters of Italian...
Girolamo Francesco Maria Mazzola (also known as Francesco Mazzola or, more commonly, as Parmigianino (Italian pronunciation: [parmidʒanˈiːno], "the little one from Parma"); 11 January 1503 – 24 August 1540) was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma.
Biography. Painter, etcher and designer for engraving and woodcut, exponent of Mannerism with an emphasis on elongated forms, worked in Parma, Rome and Bologna. Girolamo Francesco Maria Mazzola, called Il Parmigianino, b. Parma, 11 January 1503, d. Casalmaggiore, 24 August 1540.
