Yahoo Web Search

Search results

1. academic.oup.com › jaac › article-abstractThe Instrumentality of Music - Oxford Academic

   academic.oup.com › jaac › article-abstract

   • Cached

   Feb 13, 2008 · The notion of the musical instrument, as an object with sonic and musical possibilities and limitations and with its own history of development, shapes our understanding of the taxonomy and genres of music. We think, for example, of string music, organ music, music for winds, music for brass bands, and so on.

2. onlinelibrary.wiley.com › doi › absThe Instrumentality of Music - ALPERSON - 2008 - The Journal ...

   onlinelibrary.wiley.com › doi › abs

   Feb 13, 2008 · Department of Philosophy Temple University Philadelphia, Pennsylvania 19122 internet: alperson@temple.edu. Search for more papers by this author

   • Author: Philip Alperson

   • Publish Year: 2008

3. www.jstor.org › stable › 430189On Musical Improvisation - JSTOR

   www.jstor.org › stable › 430189

   composer's work is done when he has written the score, even though the per-formances are the end-products." More-over, on Goodman's view, music is an "allographic" rather than an "autogra-phic" art. An art is autographic "if and only if the distinction between original and forgery of it is significant; or better, 18

4. link.springer.com › chapter › 10Instrumentality as Distributed, Interpersonal, and Self ...

   link.springer.com › chapter › 10

   • Cached

   Dec 10, 2016 · Abstract. Philip Alperson, in ‘The Instrumentality of Music’, extends the commonsense concept of musical instrument to an understanding encompassing the instrument’s musical, cultural and conceptual situation.

5. www.jstor.org › stable › 3333004What Should One Expect from a Philosophy of - JSTOR

   www.jstor.org › stable › 3333004

   216 Philip Alperson health is evident enough. How do we justify an expenditure of time and money for education about an activity which, on the surface of things, seems so utterly dispensable? The situation does not appear to be quite so desperate in the case of literature and the visual arts. At least there we can fall back on the bromide

6. link.springer.com › chapter › 10Music and Morality - SpringerLink

   link.springer.com › chapter › 10

   • Cached

   Jan 1, 2014 · This chapter draws on material from Alperson, ‘Facing the Music: Voices from the Margins;’ and Alperson and Carroll, ‘Music, Mind, and Morality: Arousing the Body Politic’ [2, 4]. Philosophical discussion of the moral significance of music has ancient roots.

7. People also ask

   Who is Philip Alperson?

   • Philip Alperson is an Associate Professor of Philosophy and Chair, Division of Humanities, at the University of Louisville. He has edited The Philosophy of the Visual Arts and What is Music?

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

   What is Philip Alperson's philosophy of music?

   • Philip Alperson's philosophy of music consists in the critical examination of our beliefs about the nature and function of music. It includes an inquiry into the various aspects of music making and the production of music generally. (ideally, it would provide this examination).

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

   What is the significance of Philip alpersonture?

   • Philip Alperson's philosophy focuses on the skills and productive human activity that bring musical works into being, as understanding the results of human action cannot be adequately understood apart from the motives. This is significant in music education.

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

   What is Philip Alperson sensibility?

   • Philip Alperson's sensibility in music education serves to enhance our understanding of feeling or refine the capacity to feel. These claims are common features of expression theories of art.

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

   What is Philip Alperson thetic apprehension?

   • Philip Alperson's 'thetic apprehension' refers to the cognitive process of gaining knowledge about reality through the expressive, representational, and symbolic properties of music. This view is cognitive in nature.

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

   What did Philip Alperson Elyot say about education?

   • In 'The Boke Named the Governour' (1531), Philip Alperson Elyot argued that appropriate education for future rulers should include time for pleasant recreation, such as.

   What Should One Expect from a Philosophy of Music Education?

   www.jstor.org/stable/3333004

   See all results for this question

8. academic.oup.com › jaac › article-abstractOn Musical Improvisation | The Journal of Aesthetics and Art ...

   academic.oup.com › jaac › article-abstract

   • Cached

   Sep 1, 1984 · Get help with access Institutional access. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: IP based access