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  1. Although he worked in many different materials, including ceramic, terracotta, and bronze, Barlach’s greatest affinity was for wood. He made the first version of this work in clay and plaster in 1914, calling it his “raging Barbarian,” but carved a larger one in wood eight years later.

  2. Barlach did and illustrates his creative moment as God creating light, a glimpse of Self-realization on conceiving this print. There are many ways, both secular and religious, to realise the divine Self but the journey is often long.

  3. The gallery opened in early November 1912 with a solo exhibition of Emil Nolde; other presentations featured the work of Alexander Archipenko, Ernst Barlach, Otto Freundlich, Paul Gauguin, Marsden Hartley, Ernst Heckel, Oskar Kokoschka, Alfred Kubin, Max Lehmbruck, Stanton Macdonald-Wright, Henri Matisse, Gabriele Münter, Jules Pascin, Max ...

  4. The Avenger represents Barlach’s response to the outbreak of World War I in 1914. The force of the subject’s forward movement is emphasized through the sculpture’s horizontal orientation, its slanted base, and the way the figure’s cloak blows back in diagonal folds.

  5. German sculptor, printmaker, and writer, a major figure of Expressionism. Until he reached his thirties Barlach was as much a ceramicist as a sculptor, working in a fairly derivative Art Nouveau style, but a turning point in his career came in 1906, when he visited Russia.

  6. Timeline of events in the life of Alexander the Great, also known as Alexander III or Alexander of Macedonia. In his short life (356323 BCE) he conquered an enormous range of lands—from Macedonia to Egypt and from Greece to parts of India—and gave a new direction to world history.

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  8. Aug 8, 2020 · Now considered one of the most important German sculptors, Ernst Barlach spent the last years of his life in artistic isolation and died in Rostock in 1938.

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