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Albert Finney, Shirley Anne Field, Rachel Roberts
- Starring Albert Finney, Shirley Anne Field, Rachel Roberts Adapted by Alan Sillitoe from his own influential debut novel, this quintessential kitchen-sink drama was one of the first films to give voice to the discontent of Britain’s working class.
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Saturday Night and Sunday Morning. Date: 1960. Director: Karel Reisz. Production Company: Woodfall Film Productions. Stars: Albert Finney, Shirley Anne Field, Rachel Roberts, Hylda Baker, Norman Rossington, Bryan Pringle. Location (s): London, Middlesex, Nottinghamshire. Region (s): London R-S, Midlands, South East R-Z.
Saturday Night and Sunday Morning is a 1960 British kitchen sink drama film directed by Karel Reisz and produced by Tony Richardson. [7] It is an adaptation of the 1958 novel by Alan Sillitoe, with Sillitoe himself writing the screenplay.
Albert Finney, Shirley Anne Field, Rachel Roberts. Running time. 89 minutes. Albert Finney’s powerhouse performance as a Nottingham factory worker changed British screen acting, just as Karel Reisz’s incisive and authentic film changed British cinema.
Oct 28, 2020 · One of the earliest films of the British New Wave movement, ‘Saturday Night and Sunday Morning’ chronicles the life of Arthur Seaton, played by Albert Finney; a young, single man from Nottingham who works at a factory in a job he hates.
Mar 27, 2017 · That play was adapted for the screen by Tony Richardson, with Richard Burton in the lead role, in 1959. The following year, Richardson produced Saturday Night and Sunday Morning, which earned numerous awards and made a star of Albert Finney.
Saturday Night and Sunday Morning: Directed by Karel Reisz. With Albert Finney, Shirley Anne Field, Rachel Roberts, Hylda Baker. A rebellious, hard-living factory worker juggles relationships with two women, one of whom is married to another man but pregnant with his child.
Directed by Karel Reisz • 1960 • United Kingdom. Starring Albert Finney, Shirley Anne Field, Rachel Roberts. Adapted by Alan Sillitoe from his own influential debut novel, this quintessential kitchen-sink drama was one of the first films to give voice to the discontent of Britain’s working class.
