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Beloved Sisters: Directed by Dominik Graf. With Hannah Herzsprung, Florian Stetter, Henriette Confurius, Claudia Messner. The 18th century literary genius Friedrich Schiller falls in love with the sisters Charlotte and Caroline von Lengefeld.
- (1.6K)
- Drama, History, Romance
- Dominik Graf
- 2014-07-31
Beloved Sisters (German: Die geliebten Schwestern) [1] is a 2014 German biographical film written and directed by Dominik Graf. The film is based on the life of the German poet Friedrich Schiller (1759–1805) and upon his long relationships with two sisters, Caroline and Charlotte von Lengefeld. Schiller was ultimately married to Charlotte von ...
Feb 8, 2014 · Berlin Film Review: ‘Beloved Sisters’. The menage a trois between Friedrich Schiller, his wife and his sister-in-law makes for an exquisitely detailed, unusually brainy costume drama. By Scott ...
Written and Directed by Dominik Graf Produced by Uschi Reich Released by Music Box Films Germany/Austria. 170 min. Not Rated German with English subtitles With Hannah Herzsprung, Florian Stetter, Henriette Confurius, Maja Maranow and Andreas Pietschmann This beautiful historical drama passionately depicts how the political, social, and cultural revolutionary fervor sweeping late 18th-century ...
The 18th century literary genius Friedrich Schiller falls in love with the sisters Charlotte and Caroline von Lengefeld. After a passionate summer together in a menage a trois, jealousy and rivalry endanger their union. The aristocratic sisters Charlotte and Caroline both fall in love with the controversial young writer and hothead Friedrich ...
Sep 22, 2014 · The moment is funny, a little awkward, and marvelously sincere. Caroline's husband, who is described in the dimmest colors - their mother calls the son-in-law "an evil elephant," doesn't return to Rudolstadt for quite a while. His appearance and behavior are among the greatest revelations in Beloved Sisters. We are confronted with our own idea ...
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Beloved Sisters moves at an almost breathless clip, without ever violating its characters’ slow sense of time, which is defined by horse-drawn coaches and posted letters. And in spatial terms, in the first half Graf stresses a certain flatness (derived from period paintings) by panning along walls or arranging groups of people in such a way that the overall composition works for width.
