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  1. Arms, take your last embrace. And, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death. [Kisses JULIET, takes out the poison] Come, bitter conduct, come, unsavoury guide. Thou desperate pilot, now at once run on The dashing rocks thy seasick, weary bark.

    • Act 3, Scene 5

      ROMEO. It was the lark, who sings to greet the dawn, not the...

    • Prologue

      CHORUS. Two households, both alike in dignity In fair...

  2. Under yon yew trees lay thee all along, Holding thine ear close to the hollow ground—. 5 So shall no foot upon the churchyard tread, Being loose, unfirm, with digging up of graves, But thou shalt hear it. Whistle then to me, As signal that thou hear’st something approach. Give me those flowers.

  3. ROMEO. It was the lark, who sings to greet the dawn, not the nightingale. My love, look at the streaks illuminating the clouds parting in the east. Night is over. Day is creeping over the mountain tops. I must leave in order to live. If I stay, I’ll die. JULIET. Yon light is not daylight, I know it, I.

  4. Mar 1, 2021 · Lady Vengeance is the third and final piece of Park Chan-wook’s Vengeance Trilogy. Lady Vengeance (2005) – Plot Summary. The story follows a non-linear narrative, alternating between past and present moments of “young” Geum-ja and “present” Geum-ja. The Past (Young Geum-ja) When Geum-ja was still a teenager, she got pregnant.

  5. 5 days ago · Lady Vengeance is a film that does not offer easy answers. While the story centers on Geum-ja’s quest for revenge, it also shows the moral complexities of seeking justice through violence. The characters in the film are not simply good or evil; they are complex individuals with conflicting emotions and motivations.

  6. The rabble call him “lord” And—as the world were now but to begin, Antiquity forgot, custom not known, The ratifiers and props of every word— They cry, “Choose we! Laertes shall be king!”. Caps, hands, and tongues applaud it to the clouds: “Laertes shall be king, Laertes king!”. MESSENGER. Save yourself, my lord.

  7. SCENE III. A churchyard; in it a tomb belonging to the Capulets. Enter PARIS, and his Page bearing flowers and a torch PARIS Give me thy torch, boy: hence, and stand aloof: Yet put it out, for I ...

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