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Mar 16, 2017 · Mike Dean mastered and mixed it and played many of the instruments we hear throughout, some of which show a clear path to today’s hip-hop. Nowadays Dean’s name is associated with synthesizers—for good reason —and these Mello cuts show us his early experimenting.
Michael George Dean (born March 1, 1965) is an American record producer, audio engineer, and multi-instrumentalist. He is best known for his synthesizer -heavy instrumentation and audio mixing for high-profile music industry artists.
Mar 16, 2020 · James Banasiak. Mike Dean’s journey engineering and producing for some of the biggest names in hip hop has has spanned four decades. It’s a legendary career. But unlike many legends: this...
- Blessed One by Aaron Thompson. We love this song not only for it’s accessible melody, but for the richness of the text. Each of the double couplet verses helps to reflect on Mary’s role in the story of our salvation and her place in the life of the church, while also remaining somehow Christ-centred.
- Calypso Litany of the Blessed Virgin Mary. This setting of the Litany of Loreto harks back to Jo Boyce’s youth in Trinidad & Tobago (hence the Calypso rhythm).
- Hail Mary by Chris Rolinson. This setting of the Hail Mary is from our Christmas album The Promise. The first part of this prayer comes directly from the words of the Angel Gabriel’s greeting to Mary at the Annunciation.
- Hail Mary by Mike Stanley. You can’t really have too many settings of the Hail Mary in your repertoire. This setting by Mike Stanley, from the CD Dewfall, was written during at time of illness.
Grammy Award winner Mike Dean is renowned for providing the secret sauce to the world’s biggest artists. Whether they need a veteran producer’s touch, a keen...
With an extraordinary track record as producer, songwriter, musician, mixer and remixer, Mike Dean is a one‑man music industry.
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"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album East-West. Nesmith's band, the Monkees , later recorded it for More of the Monkees (1967).
