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Jul 1, 2019 · The New York Times did not receive confirmation from Hill that he was the buyer—he was “unavailable for comment”—instead citing “a person with knowledge of the sale.” They also revealed that the work may be lent to the National Gallery of Art in Washington, D.C., the J. Paul Getty Museum in Los Angeles, or the Metropolitan Museum of Art , where Hill sits on the board.
Feb 6, 2019 · Courtesy of M. Sharkey Studio. On an abnormally warm morning this week, art collector J. Tomilson Hill was standing in the Hill Art Foundation, the brand new, two-story, 6,400-square-foot private museum in a building right beside the High Line in Manhattan’s Chelsea art district. The billionaire hedge fund manager, who goes by Tom, was ...
Est: $800 - $1,200. View sold prices. Tom Hill (born 1925) Palo Verde Shade signed and inscribed 'Tom Hill / Arizona' (lower left) and numbered and titled '#1011' (on the backing paper), with an artist's reproduction rights label (on the backing paper) watercolor on paper sight 9 x 12 in. framed 19 x 22 in. Bonhams.
Feb 5, 2019 · Today, a prized Mannerist painting that was lost for 200 years goes on view at the J. Paul Getty Museum in Los Angeles in a small but powerful showcase of the Italian artist Jacopo Pontormo’s work.
May 5, 2024 · b. 1925 -. TOM HILL - Grew up in southern California. - Attended Art Center College of Design on a scholarship. - Was a Navy artist while in the service. - Was a set design and storyboard artist a Universal Studios, California. - Was an artist/reporter for the Chicago Tribune. - Studied at the Art Institute of Chicago.
Tom Hill Biography. View Art by Tom Hill. (1925 - ) Tom Hill, born in Texas in 1925, received his artistic training in illustration and graphic design. He is a painter of realistic watercolors based on photographs of Mexican and cowboy scenes and figures, often with enhanced intensity of color. He served as an artist while in the United States ...
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Tom Hill has since become one of the world's foremost collectors. With fellow super-collector Andy Hall, he talks Cy Tivombly and Renaissance bronzes—and the major Christopher Wool show at his Hill Art Foundation. Finance, it turns out, has much to teach the art market CHRISTOPHER WOOL Untitled, 1990 Enamel and acrylic on aluminum 244 X 163 cm
