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Nov 4, 2014 · Focusing on Andrew Kania's recent definition of music, I argue that the way in which it has been developed leads to problems, and I show that a number of other definitions of interest to philosophers of art (and others) run into similar problems. Issue Section: Articles.
- Jonathan Mckeown-Green
- 2014
Mar 15, 2019 · After reconstructing the emergence and development of this conception (paying special attention to how music is directly addressed in the literature), I evaluate the compatibility of the realist conception of art with the materialist conception of history as it is found in Marx and Engels.
Zappa presents his music as entertainment, resisting any alignment to the notion of art and its historical and elitist connotations. Instead, music is defined by the public's response, validated by appreciation, and ultimately, that is the limit at which the value of music can be found.
Feb 12, 2019 · Cecil Sharp's folk song collecting led him to formulate a theory of musical evolution incorporating essentially the same three key mechanisms recognized by modern evolutionary theory: (1 ...
This section encompasses the two disciplines of History of Art and History of Music. The art historians in this section are both university academics and museum and gallery professionals.
Levinson, whose goal is to define music as an art, proposes that music is "sounds temporally organized by a person for the purpose of enriching or intensifying experience through active engagement (e.g., lis-tening, dancing, performing) with the sounds regarded primarily, or in significant measure, as sounds" (1990, 273). He is happy to exclude
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Defining Art and Artworlds. ABSTRACT. Most art is made by people with a well-developed concept of art and who are familiar with its forms and genres with the informal institutions of its presentation and reception. This is reflected in philosophers' proposed.
