Search results
The lightning bolt font used for the titles is not a movie thing, it's from the covers of the American versions of the books. I'm pretty sure all of mine are first editions (Prisoner of Azkaban and on definitely are), and the first 4 books came out before the first movie did, and they all have that font.
- Deathly Hallows’ (Mary GrandPré, USA) Mary GrandPré’s Deathly Hallows cover artwork. Illustrator Mary GrandPré designed the cover and chapter artwork for all seven of the original US editions of the Harry Potter books.
- Goblet of Fire’ (Jonny Duddle, UK) First Task: Jonny Duddle found the Hungarian Horntail as hard to draw as Harry himself. British illustrator Jonny Duddle was picked to design the new UK children’s edition covers in 2014.
- Philosopher’s Stone’ (Alvaro Tapia, Sweden) Alvaro Tapia designed the magnificent Swedish language Harry Potter covers. The Swedish editions of the Harry Potter books have some of the most gorgeous cover artwork of any international translation.
- Prisoner of Azkaban’ (Alvaro Tapia, Sweden) Alvaro Tapia gives the Dementors of Azkaban a unique hunched look. Yes, we love the Swedish covers so much that they’re getting a second entry.
This collection brings together recent theoretical and applied cultural studies and focuses on three key areas of inquiry: (1) wizarding biopolitics and intersected discourses; (2) anxiety, death,...
Jun 14, 2023 · Today, we embark on a visual odyssey through all Harry Potter book covers, focusing primarily on the UK and US versions. We invite you to share your favorites in the comments! The Original Covers. The initial journey began with the release of Harry Potter and the Philosopher’s Stone in the UK in 1997. The original cover was graced with the ...
People also ask
What are the best Harry Potter book covers?
Who created Harry Potter book covers in 2015?
Who designed the cover of 'Castle of Secrets & Prisoner of Azkaban'?
Which Harry Potter books have a scarlet cover?
Sep 16, 2019 · Exploring precisely what is cultural about wizarding politics, and what is political about culture, this book is key reading for students of contemporary literature, media and culture, as well as anyone with an interest in the fictional universe and wizarding world of Harry Potter.