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RoboCop is a 1987 American science fiction action film directed by Paul Verhoeven and written by Edward Neumeier and Michael Miner. The film stars Peter Weller, Nancy Allen, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, and Miguel Ferrer.
To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.
Officer Alex James Murphy (designation number: OCP Crime Prevention Unit 001), commonly known as RoboCop, is a fictional cybernetically enhanced officer of the Detroit Police Department from Murfreesboro, Tennessee, and is the main protagonist in the Robocop franchise. [1]
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In a near future in Old Detroit, Michigan, violent crime is out of control, and the city is in financial ruin. The city government contracts the mega-corporation Omni Consumer Products, OCP for short, to fund and operate the police force, in effect privatizing it. But OCP is not interested in rebuilding "Old Detroit;" rather, its plan consists of r...
Peter Weller as Murphy/RoboCopNancy Allen as LewisDaniel O'Herlihy as The Old ManRonny Cox as JonesRoboCop was written by Edward Neumeier and Michael Miner. Edward Neumeier stated that he first got the idea for RoboCop when he walked past a poster for Blade Runner.He asked his friend what the film was about; the friend replied, "It's about a cop hunting robots." This then sparked the idea for him about a robot cop. Allegedly, while the two were ...
The 1986 Ford Taurus was used as the police cruiserin the movie, due to its then-futuristic design. One of the Taurus's competitors at the time, the Pontiac 6000, is parodied in the movie as the "6000 SUX". The 6000 SUX itself was based on a 1977 Oldsmobile Cutlass Supreme with extensive bodywork. Commercials advertise the SUX as "an American tradi...
The movie was given an X rating by the MPAA in 1987 (the rating which replaced X, NC-17, emerged in 1990) due to its graphic violence. To appease the requirements of the ratings board, Verhoeven strove to reduce blood and gore in the most violent scenes in the movie, including the malfunctioning of ED-209, Murphy's execution (where his entire right...
RoboCop was released in American theaters on July 17, 1987. The film was a commercial success and grossed over $8 million in its opening weekend and $53,424,681 during its domestic run, making it the 16th most successful movie that year. The film was well received by critics and is considered by many as one of the best films of 1987. On Rotten Toma...
Budget$13,000,000 (estimated) Opening Weekend $8,008,721 (USA) (19 July 1987) (1,580 Screens) £708,923 (UK) (7 February 1988) (135 Screens) DEM 288,005 (West Germany) (6 January 1988) (27 Screens)
RoboCop explores larger themes regarding the media and human nature in addition to being a big budget action film; the philosopher Steven Best wrote an essay on some of this content. In the Criterion Edition DVD commentary track, executive producer Jon Davison and writer Edward Neumeier both mention the decay of American industry from the 1970s thr...
Edward Neumeier has stated that he and Michael Miner never placed the film in a specific year. However, other materials in the franchise have stated different years for the film's setting:The computer that RoboCop looks up criminal records on is actually a Northern Telecom telephone switch.The point-of-view shots from RoboCop include references to MS-DOS.The entrance to the OCP building in the movie is actually the front entrance of Dallas City Hall with extensive matte work (by Rocco Gioffre) above to make the building appear to be a giant skyscra...There is a moment early in “RoboCop” when a robot runs amok. It has been programmed to warn a criminal to drop his gun, and then to shoot him if he does not comply. The robot, an ugly and ungainly machine, is wheeled into a board meeting of the company that hopes to make millions by retailing it.
In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories. In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force.
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