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A Rectangle and Circle within Square by Robert Mangold, Honolulu Museum of Art. Robert Mangold (born October 12, 1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold.
Nov 4, 2016 · Robert Mangold is an anomaly among Minimalists; he employs a simplified visual language of forms, while retaining clear evidence of his personality and his hand in his artworks.
In New York during the early sixties, Mangold worked as a guard at the Museum of Modern Art with colleagues Sol LeWitt, Robert Ryman, Dan Flavin, and Lucy Lippard. Together these artists shared ideas that developed into minimalist theories.
- Summary of Robert Mangold
- Accomplishments
- Biography of Robert Mangold
Robert Mangold is perhaps one of the lesser-known figures associated with the Minimalist movement that came to dominate the North American art scene in the 1960s. But he was there at its conception and is held in high regard by many of the most famous sons and daughters of the genre. Once employed alongside Sol LeWittt as a security guard at New Yo...
Although Mangold is known as a Minimalist painter, a movement primarily associated with sculpture, his paintings really exist on the cusp between painted and sculptural form. Using effects of layer...A repeated maneuver in Mangold's work is the use of a graphite pencil stroke to articulate a curved or counterpointed line within the rectilinear external shape of a frame. This often seems to leav...Mangold's earliest works were presented in pale, matt, monochrome hues, but in the 1980s he opted for brighter and bolder color combinations, which perhaps responded to the new colors and shapes of...Childhood
Robert Mangold was born in 1937 and spent most of his childhood in Buffalo, New York. He has described himself as coming from a "rural factory background", noting that most of the men in his family worked at the Wurlitzer factory in North Tonawanda, which made organs and jukeboxes. His mother worked odd jobs, including wallpapering and stock-buying for a department store. Mangold would accompany her on occasional trips to New York City, and also used to go with her to the library, where he wo...
Early Training and Work
In 1956 Mangold enrolled in the illustration department at the Cleveland Institute of Art, but transferred to the fine arts division, where he studied painting, sculpture, and drawing. He graduated in 1959 and attended the Yale Summer School of Music and Art on a scholarship. In the Fall of 1960 he entered Yale's graduate school program in Art and Architecture, where he befriended artists such as Nancy Graves, Brice Marden, and Richard Serra. It was at this time that Mangold began to experime...
Mature Period
Mangold started displaying his work in commercial galleries while still a guard at the Museum. His first solo exhibition was held at the Fischbach Gallery in 1965. He attained art-world status surprisingly quickly, when he was included in an exhibition of Minimalist art at the Jewish Museum in 1965, and in Peggy Guggenheim'sSystematic Painting show the following year. Not long afterwards he began working as an instructor in the fine arts department of the School of Visual Arts. Mangold had cr...
- American
- October 12, 1937
- North Tonawanda, New York
ROBERT MANGOLD: AN INTERVIEW. RECENTLY I’VE BEEN THINKING ABOUT the content of abstract art, which is a subject people tend to shy away from. It may be too soon in our .discussion even to bring it up, but your early work is often described as having to do with the content implied by an industrial vocabulary.
Mangold posits the artwork as a self-contained entity. Shorn of all illusion, the work reveals itself directly to the viewer, who is located in the same real space and real time as the art object. To Mangold, geometry is a tool – a language – but not a theme.
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Nov 17, 1990 · Since the 1960s he has developed an artistic vocabulary derived from the idea of geometry and asymmetry in shape and form. Mangold's use of subtle colour and curvilinear abstract forms are associated with Minimalism but also recall other sources from Ancient Greek pottery to Renaissance frescoes.
