Search results
The 20th century (the modern era) was a revolutionary period in music theory, departing from tonal traditions and embracing, instead, a huge variety of composition techniques. Composers such as Stravinsky, Schoenberg, Cage, and Debussy ushered in a wonderful period of diversity in musical expression, challenging all norms and expanding the ...
Apr 27, 2017 · Following the model proposed in Dahlhaus 1985, the author attempts a compressed narrative of Western music theory along with a number of historiographical reflections about the challenges of writing a historical account of music theory.
Music theory as a practical discipline encompasses the methods and concepts that composers and other musicians use in creating and performing music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts.
Oct 5, 2015 · French composer Jean Phillippe Rameau sought to understand music, and specifically harmony, in scientific terms. The 17th Century, also known as the Age of Reason, saw the birth of the scientific method.
Jul 13, 2021 · Music was a lifelong concern for Jean-Jacques Rousseau (1712–1778), whose musical writings touch on an impressive variety of topics, from music notation and theory to core philosophical concerns such as musical value and expressiveness.
Feb 14, 2018 · In this article I provide an overview of recent research and a sketch of music’s evolutionary career. I identify avenues for future research, including work in the evolution of the emotions, and the application of signalling theory to music archaeology.
People also ask
What were the characteristics of the era of music?
When did music theory start?
When did Western philosophy of music start?
What is a classical piano trio?
Who were the theorists of music?
What is music theory?
Jan 6, 2015 · Using a range of methods, from philosophical and historical contextualizations to cognitive and systematic approaches, and across a range of repertories, these essays aim to convey a fuller understanding of the terms music theorists employ every day in teaching and research.
