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We begin by thinking of orchestration very simply in terms of how to combine elements, both: “simultaneously” (or “vertically” if you prefer) for voicing chords, doubling melody lines, and handling texture; “successively” (or “horizontally”) for effects like orchestral crescendos.
St Paul's Suite in C major (Op. 29, No. 2), originally titled simply Suite in C, [ 1 ] is a popular work for string orchestra by the English composer Gustav Holst. Finished in 1913, but not published until 1922 due to revisions, it takes its name from St Paul's Girls' School in Hammersmith, London.
When creating a string arrangement for real players, it's important to be clear in your mind what kind of ensemble you're writing for — after all, 'strings' can mean anything from a string quartet to a full‑sized string orchestra of 60 or more players.
The term orchestration in its specific sense refers to the way instruments are used to portray any musical aspect such as melody, harmony or rhythm. For example, a C major chord is made up of the notes C , E , and G .
In our arrangement (for flute, clarinet, harp, and string trio), the strings form the core of the texture, with the cello performing the bass, the viola the accompanimental role, and the violin the melody.
Jul 27, 2019 · The answer has to be from studying scores, from orchestrating (or arranging) the music of others, from frequent attendance at concerts and rehearsals, from consulting performers, and most likely also from experimentation. Type. Chapter. Information.
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Jan 10, 2011 · In Part I we will explore the techniques of the right hand, the bowing hand, and all the variations on bowing the strings. Then we will discuss the left hand's technique, the fingering hand, in Part II. Using this framework we should be able to have a holistic idea of how the strings work and are used in the orchestra.
