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John Akomfrah. The Last Angel of History follows the quest of a man known as the Data Thief, who seeks the keys to the future. He turns to his computer as a new source of access to knowledge in the 1990s.
John Akomfrah's The Unfinished Conversation (2012) constitutes a recent, fascinating negotiation of identity and difference. The film takes the life of culture theorist Stuart Hall as a point of departure, conducting a cinematic translation of Hall's own empirical and theoretical journey through identity and difference.
John Akomfrah works primarily in film and video, exploring place, memory, and history through the lens of postcolonialism and the black diaspora. His work takes many formats, ranging from feature-length documentaries to immersive, multichannel video installations, while employing both original and archival footage.
Sir John Akomfrah CBE RA (born 4 May 1957 [1]) is a Ghanaian-born British artist, writer, film director, screenwriter, theorist and curator of Ghanaian descent, whose "commitment to a radicalism both of politics and of cinematic form finds expression in all his films".
John Akomfrah is a hugely respected artist and filmmaker, whose works are characterised by their investigations into memory, post-colonialism, temporality and aesthetics and often explore the experiences of migrant diasporas globally.
For more than four decades, John Akomfrah has sought to tell myriad tales of migration and belonging. Akomfrah left Ghana for the UK as a young child after the country’s first president, Kwame Nkrumah, was overthrown in the 1966 coup, which put his activist mother’s life in danger.
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John Akomfrah and Edward George picked up on critic John Corbett’s observation of the uncanny similarity between Sun Ra, Lee Scratch Perry, and George Clinton, Black musicians respectively in jazz, reggae, and funk: all of whom, while unaware of each other’s practices, deployed the captivat -
