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ve and John Akomfrah responded to this challenge by reawakening the phantoms of history and infusing the act of mourning with the possibility of collective agency. Be tween documentary and allegory, between letting go and moving on, Akomfrah.
John Akomfrah (born in Ghana in 1957) was a found-ing member of the Black Audio Film Collective (active 1982–98), which produced a wide range of films, videos, installations, photographs, essays, statements, film programs, seminars, and talks. His latest feature film, The Nine Muses (2010), which screened at MoMA, New York, October
John Akomfrah's The Unfinished Conversation (2012) constitutes a recent, fascinating negotiation of identity and difference. The film takes the life of culture theorist Stuart Hall as a point of departure, conducting a cinematic translation of Hall's own empirical and theoretical journey through identity and difference.
John Akomfrah. The Last Angel of History follows the quest of a man known as the Data Thief, who seeks the keys to the future. He turns to his computer as a new source of access to knowledge in the 1990s.
John Akomfrah and Edward George picked up on critic John Corbett’s observation of the uncanny similarity between Sun Ra, Lee Scratch Perry, and George Clinton, Black musicians respectively in jazz, reggae, and funk: all of whom, while unaware of each other’s practices, deployed the captivat -
Sir John Akomfrah CBE RA (born 4 May 1957 [1]) is a Ghanaian-born British artist, writer, film director, screenwriter, theorist and curator of Ghanaian descent, whose "commitment to a radicalism both of politics and of cinematic form finds expression in all his films".
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John Akomfrah is a hugely respected artist and filmmaker, whose works are characterised by their investigations into memory, post-colonialism, temporality and aesthetics and often explore the experiences of migrant diasporas globally.
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