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  1. May 3, 2020 · Hollywood also features First Lady Eleanor Roosevelt, played by Harriet Harris. Like the real Eleanor, her TV counterpart fights for equal rights opportunities by convincing Avis in developing a movie with a black actress in the lead.

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    • David Corenswet As Jack Castello. David Corenswet stars as Jack Castello, one of the young aspiring actors trying to find his big break. The war vet from Missouri has dreams of being a movie star.
    • Darren Criss As Raymond Ainsley. Darren Criss plays Raymond Ainsley, another young player with big dreams, but unlike Jack, Raymond wants to make it behind the camera as a director.
    • Laura Harrier As Camille Washington. Laura Harrier portrays Camille Washington, another young actress looking for her breakout role. Camille is the girlfriend of Raymond and has a contract at Ace Studios.
    • Jeremy Pope As Archie Coleman. Jeremy Pope plays Archie Coleman, a man with hopes of becoming a successful screenwriter in the industry. Not only is Archie black, but he's also gay so he feels an immense amount of discrimination.
  2. May 1, 2020 · The fictional movie studio at the center of Hollywood doesn’t have a real-life counterpart when it comes to the internal politics, managerial structure, or surprisingly progressive company...

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  3. May 11, 2020 · Most of the Netflix series was filmed in a studiothe Sunset Gowers Studios in Hollywood. However, some of the places these locations are based on can actually be visited.

  4. Jul 29, 2022 · No, Ace Studios in ‘Hollywood’ is not a real production house, but it takes inspiration from established names like Paramount Pictures, MGM, and Universal. In the show, the gate where the extras gather to get a role is the Bronson Gate from Paramount.

  5. Sep 19, 2024 · David Ellison will soon take over as the entertainment giant’s CEO — but his mogul father, Larry, put in the $6 billion to buy it.

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  7. Jun 2, 2021 · He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling. We analyse the quarterly and annual results of the biggest screen media production companies, and speculate on the motives of the suits who own the suits who run the studios.

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